泳池情殺案 Swimming Pool

0.4 播放：26萬 更新：2026-05-11

早已功成名就的女性神秘小說家莎拉•莫頓（Charlotte Rampling 夏洛特•漢普林 飾）卻為新作煩惱不已，在出版商約翰•布蘭德（Charles Dance 查理士•當斯 飾）的建議下，她來到約翰的家鄉(xiāng)別墅，一面休養(yǎng)，一面尋找靈感。鄉(xiāng)間的悠哉生活使莎拉從久居倫敦的疲憊中解脫出來，盡情享受著難得的休閑時光。 某晚，自稱約翰女兒的茱莉（Ludivine Sagnier 盧蒂文•薩尼埃 飾）不宣而至，茱莉開朗、張揚、放蕩，與古板莎拉格格不入。莎拉的創(chuàng)作計劃被打亂，而一絲不祥的氣息也悄然彌漫開來…… 本片榮獲2003年歐洲電影界最佳女主角獎（夏洛特•漢普林）、2003年曼谷國際電影節(jié)最佳影片獎。

播放通道

詳細簡介

早已功成名就的女性神秘小說家莎拉•莫頓（Charlotte Rampling 夏洛特•漢普林 飾）卻為新作煩惱不已，在出版商約翰•布蘭德（Charles Dance 查理士•當斯 飾）的建議下，她來到約翰的家鄉(xiāng)別墅，一面休養(yǎng)，一面尋找靈感。鄉(xiāng)間的悠哉生活使莎拉從久居倫敦的疲憊中解脫出來，盡情享受著難得的休閑時光。 某晚，自稱約翰女兒的茱莉（Ludivine Sagnier 盧蒂文•薩尼埃 飾）不宣而至，茱莉開朗、張揚、放蕩，與古板莎拉格格不入。莎拉的創(chuàng)作計劃被打亂，而一絲不祥的氣息也悄然彌漫開來…… 本片榮獲2003年歐洲電影界最佳女主角獎（夏洛特•漢普林）、2003年曼谷國際電影節(jié)最佳影片獎。

同類推薦

失蹤謎案

塔布,安努·卡波爾,馬諾杰·巴杰帕伊

　　一對夫婦入住了一家度假酒店,幾個小時后,他們的女兒失蹤了.隨著尋找他們女兒的時間的推移,越來越多的真相與謎題出現(xiàn).....

無歸客

宋洋,陳立農(nóng),姜珮瑤

　　宋隱（宋洋 飾）奉命調(diào)查“極樂膏”制販案件。辦案期間，他獲得了游俠夜剎、大夫燕云升（陳立農(nóng) 飾）、藥師素娥（姜佩瑤 飾）等人的幫助。他們通過頑強戰(zhàn)斗與勇敢犧牲，撕碎了犯罪頭目白啟年的保護傘，還一方安定。宋隱繼續(xù)踏上鏟奸除惡的漫漫長路。

無歸客

宋洋,陳立農(nóng),姜珮瑤

　　宋隱（宋洋 飾）奉命調(diào)查“極樂膏”制販案件。辦案期間，他獲得了游俠夜剎、大夫燕云升（陳立農(nóng) 飾）、藥師素娥（姜佩瑤 飾）等人的幫助。他們通過頑強戰(zhàn)斗與勇敢犧牲，撕碎了犯罪頭目白啟年的保護傘，還一方安定。宋隱繼續(xù)踏上鏟奸除惡的漫漫長路。

嚦咕嚦咕新年財

劉德華,劉青云,古天樂,梁詠琪,應采兒,王天林,湯盈盈,黃文慧,龍?zhí)焐?洪偉良,阮令濤,西川孝和,鄒凱光

　　德華（劉德華飾）喜歡打牌，以打牌為生的他出名好牌技好牌品，與他相戀多年的詠琪（梁詠琪飾）因為牌品差，始終沒能與德華結為連理，令她頓足。德華的弟弟天樂（古天樂飾）知道哥哥要以打牌為生養(yǎng)活患有癡呆癥的母親和正在讀書的自己，決定跟青云（劉青云飾）打牌比試，誰知連連落敗?！　∫淮闻凭种?，詠琪不甘被德華以牌品的問題多次推搪婚約，便咀咒他從此“一世摸爛牌”，跟著同樣拜師不成的青云離開了?！　【字湔娴撵`驗了，使德華家道中落，但一向樂觀的他深信自己的“好朋友”會回來的。在弟弟公司舉行的麻將大賽中一路穩(wěn)打穩(wěn)扎，與青云再次對壘，最后能否獲勝呢？

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.