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隔壁的星光
福本莉子,八木勇征,倉(cāng)悠貴,橫田真悠,西垣匠,田鍋梨梨花,清水美沙,宮崎吐夢(mèng),紺野真晝,野波麻帆,濱野謙太那家伙
周元,柳海真,李裕英,劉慧英,李俊赫,金英熊731
姜武,王志文,李乃文,林子燁,孫茜,馮文娟,溫碧霞,李善玉,張琪,李彧,烏蘭托雅·朵,平田康之,小野巽,佐藤匠,徐光宇我們很危險(xiǎn)
埃拉娜·詹姆斯,瑞瑪·特·維塔,Nathalie Morris富貴再逼人
沈殿霞,董驃推理要在晚餐后 電影版
櫻井翔,北川景子,椎名桔平,中村雅俊,櫻庭奈奈美,要潤(rùn),鹿賀丈史,黑谷友香,甲本雅裕,大倉(cāng)孝二,兒島一哉,村川繪梨,團(tuán)時(shí)朗,六角精兒,田中要次,伊東四朗,生瀨勝久,竹中直人,宮澤理惠同類推薦
格拉德貝克人質(zhì)事件
薩沙·亞歷山大·吉爾薩克,亞歷山大·謝爾,Marie Rosa Tietjen,阿爾布雷希特·舒赫故事發(fā)生在1988年的德國(guó),漢斯(薩沙·亞歷山大·吉爾薩克 Sascha Alexander Ger?ak 飾)和迪特(亞歷山大·吉爾 Alexander Scheer 飾)搶劫了位于北威州格拉德貝克的德意志銀行,并且劫持了兩名銀行職員作為人質(zhì),帶著他們一起踏上了逃往的旅途。 很快,負(fù)責(zé)此案的邁澤警探就展開了對(duì)于漢斯一行人的追捕。為了鉗制警方,漢斯的女友瑪麗昂(Marie Rosa Tietjen 飾)又劫持了一輛載有三十名乘客的公交車,來(lái)幫助男友脫離警方的追捕。因?yàn)榇跬绞种械娜速|(zhì)數(shù)量眾多,導(dǎo)致德國(guó)警方遲遲無(wú)法下手,引來(lái)了輿論和媒體的不滿,與此同時(shí),迪特在一次意外中射殺了年僅14歲的少年曼紐埃爾,這場(chǎng)死亡事件將整個(gè)故事推上了高潮。
非禮勿視
Glen Jacobs,克雷格·霍納,Michael J. Pagan八個(gè)感化院的青年在兩名警官的監(jiān)督下,前往鄉(xiāng)間一所破敗的客棧中接受社區(qū)服務(wù),但是他們的到來(lái)卻無(wú)意中驚醒一個(gè)沉寂已久的惡魔。雅克布?古德奈特 飾(Glen Jacobs 格蘭“凱恩”雅克布 飾),身高七英尺,體重四百磅,頭骨里嵌著一個(gè)生銹的鐵盤,鋒利的指甲足夠戳穿對(duì)手眼睛的精神病患者。 雅克布四年前曾被警官弗蘭克?威廉姆斯(Steven Vidler 飾)槍擊頭部,卻僥幸逃生。如今弗蘭克正是這群青年的督導(dǎo)員。弗蘭克和孩子們的出現(xiàn)激起了雅克布屠殺的欲望,他舉起巨斧,將客棧變作血腥的屠宰場(chǎng)……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
局外人2025
本杰明·瓦贊,皮埃爾·洛廷,斯萬(wàn)·阿勞德,德尼·拉旺,麗貝卡·馬德,本杰明·??烁?duì)?讓-本篤·尤格斯,讓-查理·克里切特1930年代的阿爾及利亞,冷漠的法國(guó)人默爾索對(duì)生命徹底漠然。他的情感疏離最終導(dǎo)致一場(chǎng)謀殺,隨后的審判不僅審視罪行,更拷問(wèn)其靈魂。改編自加繆小說(shuō)《局外人》。
扭曲
克里斯蒂娜·里奇,布蘭登·弗萊徹,維斯勒·夏農(nóng),約翰·庫(kù)薩克,妮科爾·安東尼,奧利弗·萊斯,斯科特·奧林克,安杰拉·奎恩,巴里·納林,朱麗婭·馬克斯維爾,馬特·布朗32歲的勞倫·柯倫(克里斯蒂娜·里奇)和丈夫羅素(布萊登·佛雷切)搬進(jìn)了設(shè)備先進(jìn)齊全的新公寓。剛剛因?yàn)槭ズ⒆佣馐芰诵睦韯?chuàng)傷患躁郁癥的勞倫對(duì)公寓的安保監(jiān)控系統(tǒng)很滿意,但隨后發(fā)現(xiàn)公寓里有些不對(duì)勁,她懷疑酒店的擁有者暗中非法操控住在其中的用戶,但她的丈夫認(rèn)為這些都是她的想象。勞倫獨(dú)自開始調(diào)查建造公寓的公司,并雇傭了一個(gè)幫手-陰謀論者弗儂·沙斯菲爾德(約翰·庫(kù)薩克)。弗儂認(rèn)為這間公寓是個(gè)試驗(yàn)場(chǎng)所,里面的住戶是個(gè)巨大洗腦陰謀的小白鼠。隨著調(diào)查深入,勞倫也遇到了生命威脅……