獵艷

? 7.1 播放：24萬 2026-05-06

一幢公寓，姐妹倆分住樓上樓下。姐姐如行（朱芷瑩暫無內容飾）是個作家，妹妹如儀（張均甯暫無內容飾）則是一個攝影師，二人終日為自己的事業(yè)忙碌，生活波瀾不驚。某天，如儀無意中抓拍到一對男女歡愉的畫面，后來發(fā)現那個女人在背著丈夫偷情，這令她的好奇心陡然而起，于是刻意探究這個女子的生活。如儀將這段經歷告訴姐姐，由此也引起如行的興趣。適值如行遭遇創(chuàng)作瓶頸，她決定將這段偷情故事寫入小說。

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劇情提要

一幢公寓，姐妹倆分住樓上樓下。姐姐如行（朱芷瑩暫無內容飾）是個作家，妹妹如儀（張均甯暫無內容飾）則是一個攝影師，二人終日為自己的事業(yè)忙碌，生活波瀾不驚。某天，如儀無意中抓拍到一對男女歡愉的畫面，后來發(fā)現那個女人在背著丈夫偷情，這令她的好奇心陡然而起，于是刻意探究這個女子的生活。如儀將這段經歷告訴姐姐，由此也引起如行的興趣。適值如行遭遇創(chuàng)作瓶頸，她決定將這段偷情故事寫入小說。

暗夜精選

幽靈鬼屋

勒凱斯·斯坦菲爾德,羅莎里奧·道森,歐文·威爾遜,蒂凡尼·哈迪斯,丹尼·德維托,杰米·李·柯蒂斯,蔡斯·W·狄龍,杰瑞德·萊托,J·R·阿杜西,克里克·威爾遜,本·布萊頓,林賽·蘭姆,查麗蒂·喬丹,費多爾·斯蒂爾,特倫斯·羅斯摩爾,邁克·貝尼特斯,埃里卡·科爾曼,克里斯托弗·溫徹斯特,喬·科伊,格拉倫·布萊恩特·班克斯,瑪麗露·亨納爾,史蒂夫·齊西斯,安德魯·莫爾加多,尼科·戈麥斯,庫爾特·岳,哈?！っ鞴?丹·列維,埃里克·羅溫,塞巴斯蒂安·蘇戴斯,特蕾西·古德,卡姆蘭·謝赫,薇諾娜·瑞德,羅伯特·廷斯

不可饒恕

薛景求,韓惠軫,柳昇范

勤雜工

大衛(wèi)·斯佩德

來點茶泡飯如何

深川麻衣,若葉龍也,小野寺Zuru,片岡禮子,大友律,山下知子,森禮子,幸野紘子,守屋えみ,尾本貴史,遠藤隆太,松尾貴史,豐原功補,室井滋

糖果 ??

崔智友,高東河

偽叛國者

威廉·霍爾登,莉莉·帕爾默,休·格里夫斯,卡爾·拉德茨,Ernst Schr?der,查爾斯·雷尼爾,英格麗·凡·貝爾根,沃爾夫岡·普萊斯,維爾納·彼得斯,埃麗卡·比爾,Stefan Schnabel,克勞斯·金斯基,埃里克·舒曼,波爾·賴希哈特,John Wittig,Louis Miehe-Renard,Kai Holm,Jens ?sterholm,J?rgen Krogh,伊娃·達爾貝克,烏爾夫·帕姆,約翰·班納,Martin Berliner,Jochen Blume,菲爾·布朗,馬克斯·布施鮑

幽閉空間

杰森·帕特里克,路易莎·克勞瑟,馬克·馬戈利斯

幕后花絮

嘔吐戈爾：殺戮

本片是關于一個被自己的父母拋棄的女孩的故事，14歲就離家出走的她，被當地的一個牧師收養(yǎng)了。后來，她所遇到的人，將會給她本來就很悲慘的命運帶來怎樣的影響呢？對于安吉拉.阿卜迪恩來講，為了她，他寧愿犧牲自己也要與撒旦達成死亡契約，這樣就可以讓她靈魂永生，為了報仇，她先去把那牧師的教堂燒成了焦土，而牧師因為喝多了而死在了教堂里。可是后來，她卻在都市的燈紅酒綠中染上了毒癮和酒癮，殊不知，她的腳已經邁入了地獄之門…從做了艷舞女郎到做妓女，發(fā)現毒癮已讓她無法自拔，甚至他覺得撒旦也拋棄了她 。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.