風(fēng)騷俏佳人R

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

平場(chǎng)之月

影片改編自朝倉(cāng)霞同名小說(shuō)，講述了35年后重逢的中學(xué)同學(xué)青砥?。▓湃?飾）和須藤葉子（井川遙 飾），彼此都是單身，積累了各種各樣人生經(jīng)驗(yàn)的兩人意氣相投，填補(bǔ)了自中學(xué)以來(lái)離別的35年時(shí)光，心靈相通的故事。

克里斯蒂

　　影片講述美國(guó)著名拳擊運(yùn)動(dòng)員、“女洛奇”克里斯蒂·馬丁的故事?？死锼沟賮?lái)自美國(guó)西弗吉尼亞州小鎮(zhèn)一個(gè)相對(duì)保守的家庭，當(dāng)時(shí)她作為一個(gè)年輕的女同性戀者不被允許做自己，所以用拳擊作為表達(dá)自己和憤怒的工具。她必須在生活中做出一些危險(xiǎn)而根本的妥協(xié)，其中最嚴(yán)重的是嫁給一個(gè)極其危險(xiǎn)的男人?！　?989年，馬丁遇到了她的經(jīng)紀(jì)人、后來(lái)的丈夫吉姆·馬丁，生活發(fā)生了轉(zhuǎn)變。她打破界限，成為第一個(gè)與金牌拳擊推廣人唐·金簽約的女性，也是唯一一個(gè)登上《體育畫(huà)報(bào)》封面的女拳擊手?！　】死锼沟俚镊攘Α⑵镣獗砗蛯?duì)賽場(chǎng)的適應(yīng)為她贏得了狂熱的粉絲群，并推動(dòng)她成為次中量級(jí)冠軍。但在精心塑造的公眾形象背后，她面臨著個(gè)人內(nèi)心的惡魔、有毒的人際關(guān)系以及一次致命的謀殺事件。

靈蝕

　　自從父親死后，薇若妮卡就一直姊代母職照顧弟弟。思念父親的她，和兩個(gè)朋友在日全蝕那天，做了碟仙板以召喚她父親的靈體。不料就在日光完全遭到遮蔽同時(shí)，玻璃破碎，薇若妮卡陷入恍惚狀態(tài)然后昏迷，朋友們也嚇得驚慌失措。薇若妮卡清醒后回家，卻開(kāi)始發(fā)現(xiàn)一些異象：東西自己會(huì)移動(dòng)、看不見(jiàn)的地方傳來(lái)正體不明的呼吸聲……她覺(jué)得是她把父親帶回了生者的世界，可是這些異象卻越發(fā)不懷好意，讓她備感威脅。在弟弟的幫助下，薇若妮卡展開(kāi)一項(xiàng)儀式要脫離靈體糾纏，卻召喚出始料未及的恐怖幻影，雖然薇若妮卡勇敢地抵抗，但她卻渾然不知可怕的后果正等著她……

地獄無(wú)淚

獵夢(mèng)人

　　故事發(fā)生在2050年，藍(lán)小瑋是一個(gè)研究員，她研發(fā)了“零接觸”的技術(shù)--通過(guò)佩戴特殊的頭盔，將兩個(gè)人的腦電波連接起來(lái)實(shí)現(xiàn)夢(mèng)境的連接。這天，一個(gè)便衣警探余警官找到研究所，要求小瑋使用零接觸的技術(shù)幫他偵破一個(gè)極為棘手的案件。小瑋覺(jué)得這案件跟母親的昏迷案件有關(guān)，盡管知道危險(xiǎn)，還是不聽(tīng)父親的阻止，接受這個(gè)任務(wù)了。小瑋通過(guò)網(wǎng)絡(luò)連接的方式進(jìn)入昏迷者易田的夢(mèng)境，隨后搗蛋的余警官也偷偷尾隨而來(lái)，兩人在這個(gè)奇怪的世界跌跌撞撞，搞笑百出，也危險(xiǎn)重重，兩人配合警探父親，終于找到真兇竟然就是實(shí)驗(yàn)室的研究員，至此故事告一段落。