魅魔獵人

　　王元娥（苑喬 飾）一直以來(lái)都深深的愛慕著名為陳喆的男生，可是，王元娥知道自己非常的普通，和在校園里閃耀著耀眼光芒的陳喆相去甚遠(yuǎn)，所以選擇將這份感情深深的埋藏在心底。單求胥的父親將兒子送進(jìn)了王元娥和陳喆所在的班級(jí)之中，單求胥的目的很簡(jiǎn)單，那就是混到順利畢業(yè)，然后出國(guó)追求自己的自由自在的人生?！　∫淮闻既恢校踉鸷蛦吻篑阒g爆發(fā)了爭(zhēng)吵，但也正因?yàn)槿绱?，單求胥得以走進(jìn)了王元娥的內(nèi)心，發(fā)現(xiàn)了她單純善良的一面，并為此深深著迷?？墒牵踉鸬娜啃乃级紥煸诹岁悊吹纳砩?，這讓單求胥非常的苦惱。

　　一個(gè)酗酒的二逼必須跟另一幫沙漠里面腦子有病的殘忍土老帽兒玩兒被獵殺的游戲，你覺著他能堅(jiān)持到最后么　　五名酗酒者, 成為貝德福德平原狩獵小鎮(zhèn)的狩獵對(duì)象, 而沃倫則是佼佼者, 他們與鎮(zhèn)民展開了輸死搏斗, 面對(duì)全副武裝的鎮(zhèn)民, 他們能否逃出升天?　　得知前女友在墨西哥過(guò)世而且留下他們的女兒，酒鬼沃倫決定當(dāng)個(gè)好父親，開始戒酒並前去接回女兒。途經(jīng)一座沙漠小鎮(zhèn)停車休息，卻在當(dāng)?shù)匾馔庀萑牖杳裕辉傩褋?lái)後，沃倫發(fā)現(xiàn)自己恰巧遇上小鎮(zhèn)的狩獵季節(jié)，而獵物竟是沃倫與其他旅客！除了要應(yīng)付鎮(zhèn)民的瘋狂追殺，同時(shí)還要克服不斷襲來(lái)的戒斷癥狀，沃 倫能否順利逃出沙漠，與女兒共享天倫之樂？

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　故事設(shè)定在“猿流感”病毒蔓延全球的背景下，人類幾近毀滅，而進(jìn)化為高級(jí)智慧生物的猿類一躍成為食物鏈頂端的王者。時(shí)移世異，暴虐的猿類首領(lǐng)賽撒（凱文·杜蘭 Kevin Durand 飾）在一片廢墟中建立起猿族歷史上的第一個(gè)帝國(guó)——“猩球”崛起，這是世界新秩序誕生的黎明時(shí)分。神秘的人類女孩諾娃（弗蕾婭·艾倫 Freya Allan 飾）的出現(xiàn)，引起了賽撒的警覺。她似乎掌握著一個(gè)巨大的秘密，不僅關(guān)乎人類的存亡，甚至可能再度顛覆整個(gè)“猩球”。被迫逃亡的諾娃在躲避賽撒軍隊(duì)的過(guò)程中，與青年猿類諾亞（歐文·泰格 Owen Teague 飾）的命運(yùn)交匯，揭開了一段冒險(xiǎn)的旅程。