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猛虎末路
勞倫斯·魯波,大衛(wèi)·舒特,塞巴斯蒂安·烏澤多夫斯基,安德烈·赫尼克,阿爾恩特·施韋林·索瑞,倫納德·昆茲,Tilman Strauss,Yoran Leicher鄰居的窗
瑪麗亞·迪齊亞,格雷格·凱勒,Juliana Canfield透明人與蠅男
北原義郎,品川隆二,葉順子,毛利郁子,南部彰三,見明凡太朗外星+人
柳俊烈,金宇彬,金泰梨,蘇志燮,廉晶雅,趙祐鎮(zhèn),金義城,李荷妮,申正根,李時(shí)勛世外逃劫
錫德·盧塞羅,碧優(yōu)緹·岡薩雷斯,詹姆斯·布蘭科詛咒項(xiàng)鏈
維奧萊特·麥格勞,瑪?shù)铝铡湼駝?亨利·托馬斯,莎拉·林德,羅馬·瑪菲婭,菲利斯·索利斯,雅各布·莫蘭,克里斯蒂娜·摩爾,Archer Anderson,Amato D'Apolito,Connor Hammond,馬特·福勒,丹妮拉·麥斯米蘭,阿里·阿夫沙爾,Brynne Kurland,羅琳·約克,Charlotte Haynes Hazzard,Tony Panterra,Johnny Afshar,Madeleine Curry同類推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
芝加哥大火記
泰隆·鮑華,艾麗絲·費(fèi)伊,唐·阿米契,艾麗絲·布雷迪影片主線講述了19世紀(jì)一戶普通家庭來到芝加哥并奮斗的故事,影片后半一頭母牛碰倒了提燈點(diǎn)燃了大火,展現(xiàn)了驚人的火災(zāi)場(chǎng)景。
與王生活的男人
柳海真,樸志訓(xùn),劉智泰,田美都,李浚赫,樸智煥,金旻1457年的清泠浦,一場(chǎng)注定失敗的守護(hù),一段永被銘記的情誼。
有朵云像你
屈楚蕭,王子文,王皓,何藍(lán)逗,黃毅,陳庭煜,吳彥姝,牛犇,余嘉誠隨著雨季的臨近,人已埋、戶已銷的秦天(屈楚蕭 飾)居然“重生”歸來,給了老婆蕭凡(王子文 飾)一個(gè)大大的驚喜,也給了周圍人猝不及防的驚嚇。面對(duì)這個(gè)記憶被清零,卻年輕八歲擁有八塊腹肌的“小奶狗”模樣的秦天,蕭凡決定先撩為敬。兩人在日復(fù)一日的甜蜜互動(dòng)中,曾經(jīng)緊密相連的心也再度同頻。這場(chǎng)奇跡似乎給了他們一次重新書寫愛情的機(jī)會(huì),倘若可以的話,真希望時(shí)間定格,雨不要停……
我很在乎
裴淳華,彼特·丁拉基,艾莎·岡薩雷斯,黛安·韋斯特,克里斯·梅西納,小伊塞亞·維特洛克,梅肯·布萊爾,艾麗西亞·維特,達(dá)米安·楊,尼古拉斯·羅根,利茲·恩格,喬治亞·萊曼,克里斯·埃弗里特,何塞·岡斯·阿爾維斯,凱文·芬內(nèi)西,珍妮爾·費(fèi)格利,杰米·加扎里安,阿德里安·M·蒙波因特瑪拉(裴淳華 Rosamund Pike 飾)經(jīng)營著一家監(jiān)護(hù)人公司,她專門尋找身體情況欠佳同時(shí)又無依無靠的老年人下手,通過并不是那么合法的手段令自己成為他們的法定監(jiān)護(hù)人,將他們送進(jìn)療養(yǎng)院,之后便可接手和變賣他們的財(cái)產(chǎn)和房產(chǎn),再將所得據(jù)為己有?! ∧橙?,瑪拉將下一個(gè)“吞噬”的目標(biāo)放在了一位名叫珍妮弗(黛安娜·維斯特 Dianne Wiest 飾)的老太太身上,經(jīng)調(diào)查,珍妮弗沒有任何的親人,同時(shí)又擁有著價(jià)值不菲的遺產(chǎn),簡直就是他們的最佳“肥羊”。在一番操作之后,珍妮弗被沒收手機(jī)關(guān)進(jìn)了療養(yǎng)院,但此時(shí)的瑪拉和她的戀人兼合伙人弗蘭(艾莎·岡薩雷斯 Eiza González 飾)并不知道的是,她們?nèi)巧狭艘粋€(gè)不該惹,也不能惹的人。