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鼠膽威龍
張子棟,徐巾淇,趙雷棋,武文佳,強巴才丹,劉佩琦,李奎,張慶慶,鞏小榕去海邊的路
原田琥之佑,麻生久美子,高良健吾,唐田英里佳,菅原小春歌舞大王齊格飛
威廉·鮑威爾,瑪娜·洛伊,路易絲·賴納,弗蘭克·摩根遠山淡影2025
廣瀨鈴,二階堂富美,吉田羊,卡米拉·愛子,松下洸平,三浦友和,柴田理惠,渡邊大知,鈴木碧櫻X誰嫁誰噶了誰
露西·海爾,維吉尼亞·加德納,布魯克·尼文,薩默·薩利姆,Bethany Brown,杰瑞·蒂納科,杰迪代亞·古達克,Brendan Morgan,Haley Victoria Hunt,RJ·費瑟斯頓豪,勞拉·延加,斯賓塞·博爾格森,Edem Nyamadi,Pete MacLeod,Brad Abramenko,Kyle Mosonyi,Cam Woodman,Sequoia Wiseman,肯德拉·赫斯凱特,韋恩·科貝伊7號房的禮物
柳承龍,樸信惠,鄭鎮(zhèn)榮,金正泰,吳達洙,樸元尚,鄭滿植,葛素媛同類推薦
龍口走蛟
備案單位愛奇藝影業(yè)(重慶)有限公司 梗概:龍口鎮(zhèn)近來怪事不斷,外鄉(xiāng)人青云子和張不平游歷至此,意外卷入神秘事件當中,他們最終揭開真相,守護了龍口鎮(zhèn)的安寧。
六百英里
蒂姆·羅斯,哈里森·托馬斯,莫妮卡·德爾·卡門,格瑞格·魯茲,哈里斯·肯德爾,諾伊·埃爾南德斯亞利桑那州的槍枝商店內(nèi),白人男孩負責買槍,再交由開卡車的墨西哥少年穿越美墨邊境,運到販毒大本營西納洛亞。毒梟媲美軍隊的強大火力,拜美國松散的槍械管制之賜。少年工作如常,渾然不覺已被資深探員漢克盯上,但正當漢克準備逮捕他們時,卻反遭撂倒淪為人質(zhì)。不知所措的墨西哥少年,竟決定帶他回墨西哥。分屬對立陣營的兩人,就此命運緊緊相連,開向未知?! ?dǎo)演加布里埃爾·利普斯坦獲第65屆柏林電影節(jié)最佳處女作獎。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
從此以后
康妮·布里登,喬瓦尼·索羅菲瓦,托馬索·巴西利,巴貝蒂達·薩喬,亞歷山德羅·布雷薩內(nèi)羅,Syama Rayner,安德烈亞·布魯斯基,Freya Hannan-Mills,Giorgia Trasselli,Lollo Franco當Claire的女兒在一次瀕死體驗后表現(xiàn)出越來越令人不安的行為時,她開始相信自己的女兒把邪惡的東西從另一個世界帶回來了。
女人
寶拉雅娜·麥金托什,勞倫·阿什利·卡特,肖恩·布里吉格斯,安吉拉·貝蒂斯,卡爾利·貝克,馬西婭·貝內(nèi)特,喬安娜·哈靈頓,湯米·尼爾森,Shyla Molhusen,Gordon Vincent,Zach Rand,Shelby Mailloux,Tyler Merlini,Jordan Carrasquillo,Jordan Chapalonis影片講述了一個從小被拋棄于森林,依照動物生存模式存活下來的女人。被一個男人擄掠回家并且受盡欺凌。這家人中,男主人極度大男子主義,仇視女人。小兒子因為受父親教導(dǎo)也對女人極不尊敬。懦弱并逆來順受的母親,被父親侮辱而懷孕的大女兒,以及不諳世事的小女兒。故事的最后,大女兒在極度絕望和恐懼的支配下放了野女人,野女人殺了她的父母和弟弟,帶走了她的妹妹。 本片以不太恐怖的氛圍,卻深刻的暗喻了一個至今仍然存在的嚴重的社會現(xiàn)象,男人應(yīng)該如何看待女人,女人應(yīng)該如何正確扮演家庭中的角色。