重返青春

影片講述作家扎西因童年時(shí)一個(gè)關(guān)于狗的“秘密”愧疚多年，直到多年后重返故鄉(xiāng)才意外得知真相，與孩童穿越時(shí)光的生長痛。

　　影片《那一晚，我知道你做了什么》  講述了四位大學(xué)好友，馬韋、賈超、劉強(qiáng)、翟杰磊在畢業(yè)前最后一頓散伙飯后準(zhǔn)備瘋狂一把，不了發(fā)生了一件讓眾人始料未及的事件。好學(xué)生翟杰磊被抓，一夜之間他的生活發(fā)生了翻天覆地的變化，此后翟杰磊便渺無音訊，大家也各奔東西。三年后，翟杰磊的未婚妻娜娜竟然突然打電話給翟杰磊當(dāng)年的三位好友馬韋，劉強(qiáng)等人，邀請(qǐng)他們參加自己和系花娜娜的婚禮，而他最終卻沒有出現(xiàn)。一場密室真心話大冒險(xiǎn)由此拉開序幕?！　∫堰_(dá)到院線電影標(biāo)準(zhǔn)的《那一晚，我知道你做了什么》在2016年北京青年電影展閉幕式上成功入圍北京青年影展“第一屆最佳網(wǎng)絡(luò)電影”單元，并獲得最佳網(wǎng)絡(luò)大電影獎(jiǎng)。導(dǎo)演馮海濤在發(fā)表表彰感言時(shí)表示，感謝影展關(guān)注網(wǎng)絡(luò)大電影，這是網(wǎng)絡(luò)大電影第一次在表彰典禮登堂入室，這是觀眾的進(jìn)步，是中國電影的進(jìn)步。網(wǎng)絡(luò)大電影成為本屆電影展上眾人關(guān)注的焦點(diǎn)。　　影片懸疑色彩濃厚，劇情非常深入人心，是一部非常值得期待的電影。

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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.