年輕的嫂子

3.0 播放：37萬 更新：2026-05-07
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英文名：The young sister-in-law，2016年度最新韓國限制級電影

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英文名：The young sister-in-law，2016年度最新韓國限制級電影

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冰封之地

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　　20世紀80年代初，站街流鶯辛蒂（瓦妮莎·哈金斯 Vanessa Hudgens 飾）險些遭人殺害。與此同時，在阿拉斯加一處荒涼所在，一名女性尸體被人發(fā)現(xiàn)。警官杰克·海爾康伯（尼古拉斯·凱奇 Nicolas Cage 飾）從辛蒂處了解到，兇手手段殘暴無情，并且可能是個連環(huán)殺手。由于背負著不堪回首的過去，杰克一方面決定保護這個僥幸從死神手中逃脫的女孩，另一方面將目標鎖定在曾在70年代有過前科的男子羅伯特·漢森（約翰·庫薩克 John Cusack 飾）身上。羅伯特道貌岸然，不動聲色繼續(xù)著他的獵殺活動，當他意外再度出現(xiàn)在辛蒂面前時，正邪雙方的對決即將到了關(guān)鍵時刻……　　本片根據(jù)真實事件改編。

出賣她的肉體

弗里達法瑞爾,加布里埃爾·奧爾德斯,馬修·馬斯登

　　Selling Isobel, a thriller based on true events, featuring the real victim in true life playing the main charter. It's about a woman who got locked in, drugged, held against her will and sold to numerous men for 3 days in an apartment in central London. It's a film about her fight for survival all the way to the gruesome end.

我的珍寶

讓·雷諾,麗姆·柯里奇,卡米爾·查莫,帕斯卡·德莫隆,亞力克西斯·馬沙利克,布魯諾·桑切斯,娜塔麗婭·沃拜克,洛朗·巴圖,讓·雷恩斯

　　帕特里克（讓·雷諾 Jean Reno 飾）是一名藝術(shù)品大盜，在偷竊珍貴的小提琴斯特拉迪瓦里的時候，帕特里克遭到了同伴羅曼（）的陷害，不僅顆粒無收還險些喪命。帕特里開隱居了起來，發(fā)誓要從羅曼的身上奪回屬于自己的東西?！　∨撂乩锟嗽O(shè)計將自己的兩個女兒卡羅爾（法米克·詹森 Famke Janssen 飾）和卡洛琳（麗姆·柯里奇 Reem Kherici 飾）召回到了自己的身邊，身為一名父親，他缺失了兩個女孩的童年，如今，帕特里克希望能有補救他們父女關(guān)系的機會。剛開始，兩個姑娘對帕特里克特殊的職業(yè)和訴求嗤之以鼻，但隨著時間的推移，婦女三人之間的感情漸漸回溫。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

搭車客

　　為了謀生，一名失業(yè)的畢業(yè)生在深夜偷偷將一名女性尸體運往西原。在旅途中，他面對了一個充滿不安靈魂的超自然世界、一個他渴望的神秘女孩，以及與他駕駛的救護車有關(guān)的黑暗真相。