播放通道
詳細(xì)簡(jiǎn)介
熱門影視 大家都在看
草莓月亮
當(dāng)真亞美,齋藤潤(rùn),杉野遙亮,中條彩未,中山裕介,田中麗奈,池端杏慈,黑崎煌代,吉澤要人,伊藤健太郎,泉澤祐希,池津祥子,橋本潤(rùn),黑島結(jié)菜致命錄像帶99
杰西·拉圖雷特,Keanush Tafreshi,Dashiell Derrickson,杰克森·凱利,泰比·迪斯金,維羅娜·布魯,阿米娜·涅韋斯,凱利·米薩爾,Melissa Macedo,艾麗·艾恩奈茲,Isabelle Hahn,Breana Raquel,Caitlin Serros,Brittany Gandy,Logan Riley,Maurice Webster,史蒂文·奧格,Jerry Boyd,索妮雅·艾迪,Amelia Ann驅(qū)魔龍族馬小玲
黃宗澤,吳千語(yǔ),蔡潔,呂良偉,劉心悠,廖子妤,黃文慧,朱栢康,吳啟洋,黃梓樂(lè),萬(wàn)綺雯,蘇麗珊,郭柏妍電梯游戲
Megan Best,亞當(dāng)·哈蒂格,Gino Anania,Alec Carlos,納扎利·德姆克維奇,Verity Marks,Liam Stewart-Kanigan,Madison MacIsaac,Samantha Halas布偶秀50周年特別節(jié)目
塞斯·羅根,塞布麗娜·卡彭特,瑪婭·魯?shù)婪?馬特·沃格爾,大衛(wèi)·戈?duì)柶?邁克林·西提,比爾·巴雷塔,Peter Linz,史黛芬妮·迪亞布卓,埃里克·雅各布森,Elizabeth Stenmoen,泰勒·邦奇,David Rudman,Alice Dinnean,Bruce Lanoil,科琳·史密斯,James Murray,Haley Jenkins,Kevin Carlson,Artie Esposito嚴(yán)懲
瑞恩·菲利普,泰格·諾塔洛,喬伊芙·德雷克,Hakim Callender,詹姆斯·杜蒙特,Stephen Louis Grush,拉斯·拉索,Ian Barford,Ramona Tyler,Skipper Landry,Heidi Brook Myers,Michael Boyne,Forrest Forte,Katie Sills,Zac Cino同類推薦
奧利維婭與云
Olga Valdez,Héctor Aníbal,Elsa Nú?ez,Dominique Goris,Fery CorderoOlivia and The Clouds explores love's complexities through a Rashomon effect. Olivia, haunted by a past love, hides it under her bed. She trades flowers with this ghost in exchange for comforting rain clouds.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
玉蝎子的魔咒
John Tormey,伍迪·艾倫,海倫·亨特,查理茲·塞隆,丹·艾克羅伊德,伊麗莎白·伯克利CW?布里格斯（伍迪?艾倫飾）是20世紀(jì)40年代美國(guó)紐約著名的北海岸保險(xiǎn)公司的最出色的保險(xiǎn)調(diào)查員，他的拿手絕活是能窺探犯人心中所想，從而輕而易舉地破案。自從老板請(qǐng)來(lái)了“效率專家”貝蒂，這一切就改變了。貝蒂新官上任，帶來(lái)新的策劃新的管理方式，布里格斯成為被開(kāi)刀的第一人。二人之間火藥味甚濃。在同事喬治的生日會(huì)上，他倆被魔術(shù)師叫上臺(tái)，在玉蝎子的魔力下，二人被催眠，醒來(lái)后對(duì)剛才發(fā)生的事一無(wú)所知?！ ≈蟪莾?nèi)接二連三發(fā)生珠寶盜竊事件，而被竊珠寶的報(bào)警裝置是布里格斯親手設(shè)置的，沒(méi)有他是不可能破開(kāi)的。在調(diào)查案件中，肯辛頓家的尤物女兒（查理?塞隆飾）主動(dòng)約他約會(huì)，他懷疑她的動(dòng)機(jī)。而貝蒂請(qǐng)來(lái)偵探協(xié)助他調(diào)查讓他更為不快?！ ∝惖偈巧纤镜那槿?，因?yàn)槔习暹t遲不肯跟妻子離婚而倍感傷心。神使鬼差走到了布里格斯家跟他傾訴，布里格斯懷疑是貝蒂泄漏了公司機(jī)密，隨后貝蒂對(duì)他的示愛(ài)更令他加深懷疑?！ ∫谝幌盗袣g笑嬉鬧中，最后才想起一切緣自當(dāng)初的那個(gè)玉蝎子的魔法，這些盜竊案最后還撮合了一對(duì)天作之合。
詛咒之刃
A large villa belonging to a collector that is about to be restored into a museum traps project workers who are carrying out a survey. A curse is released, killing the humans inside one by one
世外逃劫
錫德·盧塞羅,碧優(yōu)緹·岡薩雷斯,詹姆斯·布蘭科喪尸危機(jī)爆發(fā)后，一家人躲到一處偏僻的農(nóng)場(chǎng)。然而，當(dāng)他們?cè)谶@個(gè)荒涼的世界求生時(shí)，隱藏多年的痛苦秘密給這家人造成了巨大陰影。