影片推薦
血觀音
惠英紅,吳可熙,文淇,柯佳嬿,陳莎莉,丁強,劉尚謙,林志儒,王月,溫貞菱,王偉六,陳珮騏,尹昭德,大久保麻梨子,巫書維,顏毓麟,劉越逖,傅子純,陳武康,施名帥,秀蘭瑪雅,應(yīng)朗豐,李銓不實夢境
Aimee Auclair,Rebecca Bujko,Debra De Liso,Leigh Grace,Marek Graham,Michael Gregory,John F. Henry II,Erica Jenkins,Josh LaCount,Tim McCord,Shaun Ritter,Tom Simmons,Derek Thompson遲來的憤怒
安東尼奧·德·拉·托雷,路易斯·卡葉赫,露絲·迪亞斯,勞爾·希門尼斯,曼諾羅·索洛,馮特·加西亞,皮拉爾·戈麥斯,艾麗西婭·魯維奧,蓋茲卡·阿達納斯,馬丁·盧納,查尼·馬丁,恩里克·德拉托雷,茵瑪·桑喬,帕科·本杰梅亞,貝爾塔·埃爾南德斯國家韋恩:念舊
Wayne Colley,Tamara Stackhouse,Lauren Cadogan,Savannah Gurule死亡回放
海莉·畢曉普,阿默·查達·帕特爾,Maya Graham,Malik Ibheis,扎基·喬吉,Teddy Linard,杰瑪·摩爾,斯克魯比斯·皮普判妖邪
韓棟,趙黛溪,都桂宇,劉旭,宋海頡同類精選
紅杉林殺人魔
馬可·伍德,Lisa Cameron,Lisa Livingstone無法在你的臉上哭泣
芳根京子,高橋海人,西川愛莉,武市尚士,中澤元紀,前原滉,林裕太,大塚寧寧,赤堀雅秋,片岡禮子,山中崇情婦
約翰·馬加羅,琪森·哈蒙,艾莉亞·馬佐爾夫熱情洋溢
瑞安·雷諾茲,威爾·法瑞爾,奧克塔維亞·斯賓瑟,蘇妮特·瑪尼,帕特里克·佩奇,艾米·卡里諾,喬·蒂皮特,詹·塔洛克,P·J·伯恩,阿納斯塔西婭·薩尼多普洛斯·穆西斯,尼克·巴加,比利·康查,Woody Fu,瑪麗·安·紹布,瑪塞拉·賈拉米洛,羅布·勒維克,Heidi Garza,Amanda Cleghorn,Marilyn Swick,Alison Weller,Marlow Barkley孔雀舞曲
高我星,文相敏,卞約漢深淵未遠
Jamie Woods,Isabella Mangano,Jacob Pontil-Scala,米利亞娜·坎卡爾,Andy Steuart,Isobel Lauber影視排行
無處釋放我
杰瑞米·艾倫·懷特,杰瑞米·斯特朗,保羅·沃爾特·豪澤,斯蒂芬·格拉漢姆,奧黛莎·楊,馬克·馬龍,蓋比·霍夫曼,大衛(wèi)·克朗姆霍茨,格蕾絲·古默,哈里森·吉爾伯特森,約翰尼·坎尼扎羅,琳恩·A·弗里德曼,斯蒂芬·辛格,伊萬·阿馬羅·布隆,莎拉·斯洛博達,克里斯托弗·杰伊姆斯,格雷格·普朗科,克雷格·杰拉蒂,阿拉貝拉·奧利維婭·克拉克,洛蕾娜·奧斯塔影片聚焦布魯斯·斯普林斯汀打造1982年的著名專輯《Nebraska》時期,作為年輕音樂人的他努力應(yīng)對成功的壓力,和令人困擾的過往。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
奇逢敵手
舒淇,安志杰,任達華,黃卓玲,林雪,黃浩然,許紹雄,吳大維,杜汶澤,田蕊妮女警阿玲(舒淇 飾)身邊有一對兒癡狂的追求者,但她的心思在那個夢中搭救她的白衣男子身上。好友祖兒(陳逸寧 飾)得到了一份前往馬來西亞拍攝廣告的工作,心情不佳的阿玲隨同旅行。介紹祖兒工作的波比陳(林雪 飾)為人輕浮好色,暗中還是黑市交易中間人,波比陳正籌劃從大哥潘(任達華 飾)手中引進飛彈導(dǎo)航系統(tǒng),而這一交易,被兩名私家偵探華哥(許紹雄 飾)和埃里克斯(安志杰 飾)伺機破壞。埃里克斯誤會阿玲是波比陳的交易對象,而阿玲則認為埃里克斯是自己的夢中英雄,兩人懷著不同的目的開始交往。另一方面,香港小賊阿蟹(杜汶澤 飾)盲打誤撞破壞了波比陳和大哥潘的交易,幾路人馬陷入了沖突和誤會……
左撇子女孩
蔡淑臻,馬士媛,葉子綺,黃鐙輝,陳慕義,張允曦,趙心妍,夏騰宏,林嫣一位單親母親帶著兩個女兒在鄉(xiāng)下生活數(shù)年后重返臺北,在熱鬧的夜市擺起小吃攤。面對新環(huán)境,三人以各自的方式努力適應(yīng),既要維持生計又要守護家庭完整。當(dāng)傳統(tǒng)觀念根深蒂固的外祖父禁止左撇子小孫女使用"惡魔之手"后,這個三代同堂家庭深埋的秘密開始逐漸浮出水面。