即刻觀影
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傷心童話
劉詩詩,胡夏,大左,謝楠,徐正超,伊力奇,楊悅,付滃,張子棟,趙佳怡,鞠泓宇,張一鳴,葉清源影視公司宣傳企劃楊佳(劉詩詩 飾)得了怪病,命懸一線。暗戀她的程序員劉同(胡夏 飾)為使她不留遺憾,決定在她每次昏迷蘇醒之際,以穿越之名為她圓夢。但,劉同的行動并不順利,除了突發(fā)情況帶來的穿幫,還有來自情敵尹哲(大左 飾)的奮力阻撓、戳穿。劉同竭盡全力與重重困難斗智斗勇,結(jié)果卻完全出人意料——原來,楊佳并非真病,她是為對付上司騷擾,佯作患疾。劉同的努力,她完全明了,劉同為她精心設(shè)計的從民國到未來,跨越200年的美妙夢境,讓楊佳深受感動。大家到此方才恍然大悟??墒牵忠粋€意外橫飛而來……
蒼雪麒麟
黃日瑩,銘亮,琪格,郭宏慶百年前萬靈古城遭黑水軍團操控的麒麟居戮,女王妙清封印麒麟后難產(chǎn)離世。百年后,其遺孤蒼雪貌丑家貧,在忠義堂備受排擠,暗戀陌千禾,機緣下救了龍族皇子諾,獲三個愿望。隨著假公主陰謀、麒麟解封,古城再起危機,蒼雪在蛻變中揭開身世,攜手伙伴對抗幕后黑手,拯救古城。
恐影檔案
Thomas Dekker,Robert Englund,Fiona DourifA doctor works to cure patients suffering from crippling phobias by placing them inside his invention which induces and controls hallucinations.
搶錢大作戰(zhàn)
吉奧瓦尼·瑞比西,范·迪塞爾,尼婭·朗,尼基·凱特,本·阿弗萊克,湯姆·艾弗瑞特·斯科特19歲的少年賽斯·戴維斯(吉奧瓦尼·瑞比西 Giovanni Ribisi飾)一心希望能盡快淘到自己的第一桶金,好讓父親另眼相看。他本打算靠玩非法紙牌起家,卻發(fā)現(xiàn)此路根本行不通,直到一家名為J.T.馬林經(jīng)紀(jì)公司的股票經(jīng)紀(jì)商找上了賽維斯。 在這個號稱“鍋爐房”的核心辦公室里,多少個一夜間成為百萬富翁的故事深深誘惑著賽維斯。很快,野心勃勃的賽維斯便以優(yōu)異的成績通過了股票經(jīng)濟人認(rèn)證考試,開始了他的“成功之路”。他把那些永遠都沒有前途的股票賣給利欲熏心的投資者。賽維斯正以極危險的速度追逐著金錢與利益,靠近著他所謂的功成名就,貪婪而不安。在紐約長島這個瞬息萬變的商業(yè)圈里,良心未泯的賽維斯終于開始面對良心的考驗。
哨兵
邁克爾·帕爾,杰森·R·摩爾,Ellie Patrikios,Denitza Diakovska,Neil Cole,Paolo Mazzini,John Stewart Arnold,Ivan King在外星人入侵幾乎滅絕人類的幾年后,人類難民在月球上的一個秘密基地,三個英雄決定跳入時間旅行,不顧一切地試圖拯救幸存者,但他們不知道哨兵正在等待他們。
公寓2024
斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.