人肉臘腸

東北往事·極惡不赦

1995年，東北吉春市，兩名戴著麻布頭套的悍匪連殺數(shù)人劫走巨款，現(xiàn)場(chǎng)不留活口，手法毒辣到讓全城膽寒。警察局長(zhǎng)命令刑偵隊(duì)長(zhǎng)張震調(diào)查此案。早已隱退“江湖”多年的趙紅兵因戰(zhàn)友被殺，決定聯(lián)合刑偵隊(duì)長(zhǎng)張震為犧牲的戰(zhàn)友討回這筆血債。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

立體聲

　　艾瑞克經(jīng)營(yíng)一家摩托車修理店，和自己的女朋友以及她的年幼女兒幸福的生活在一起，然而這種平靜的生活被一個(gè)名叫亨利的陌生人打破了，艾瑞克過(guò)去的黑暗秘密陰影開(kāi)始籠罩這個(gè)家庭。我們真的可以完全告別過(guò)去嗎？我們可能已經(jīng)改變了，但是有些過(guò)去的行為卻繼續(xù)如影隨行。　　在《立體聲》中，一個(gè)男人充滿熱血、沒(méi)有絲毫膽怯的贖罪行為讓我們印象深刻。

鬼迷藏

旋轉(zhuǎn)吧，乒乓

國(guó)球榮耀，為熱愛(ài)而戰(zhàn)