午后曳航
Sarah Miles飾演一位年輕的寡婦，有個(gè)十二、三歲的兒艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。兒子漂亮文雅，熱愛海洋，崇拜水手的生活。母子兩人坐在海邊的小城中，兒子有一群壞朋友，也都是一些孩子。這些人有個(gè)小領(lǐng)袖，是個(gè)天生的小叛徒。兒子愛母親，住的房間和母親的房間只有一墻之隔，墻上有個(gè)小洞，他每天夜里都要偷窺母親的行動(dòng)，包括母親的換衣和裸體。一天，母親為取悅兒子，帶他去見一位船長(zhǎng)，竟和船長(zhǎng)相戀。當(dāng)母親和船長(zhǎng)纏綿時(shí)，發(fā)現(xiàn)隔墻有耳，母親怒斥了兒子。故事的結(jié)局是：兒子和他的那群朋友，在小領(lǐng)袖的指揮下，把那文雅的船長(zhǎng)給殺掉了。
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劇情提要
Sarah Miles飾演一位年輕的寡婦，有個(gè)十二、三歲的兒艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。兒子漂亮文雅，熱愛海洋，崇拜水手的生活。母子兩人坐在海邊的小城中，兒子有一群壞朋友，也都是一些孩子。這些人有個(gè)小領(lǐng)袖，是個(gè)天生的小叛徒。兒子愛母親，住的房間和母親的房間只有一墻之隔，墻上有個(gè)小洞，他每天夜里都要偷窺母親的行動(dòng)，包括母親的換衣和裸體。一天，母親為取悅兒子，帶他去見一位船長(zhǎng)，竟和船長(zhǎng)相戀。當(dāng)母親和船長(zhǎng)纏綿時(shí)，發(fā)現(xiàn)隔墻有耳，母親怒斥了兒子。故事的結(jié)局是：兒子和他的那群朋友，在小領(lǐng)袖的指揮下，把那文雅的船長(zhǎng)給殺掉了。
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
哈留恩佩與邪惡祭司
在芬蘭警局供職多年的Timo，每天都周旋于形形色色的兇案罪犯之間，長(zhǎng)年疲于工作，使得他疏于對(duì)家人的照顧。女兒在一次意外的派對(duì)中遭人強(qiáng)奸，成為他心中揮之不去的陰影。此時(shí)，一名神秘案犯走進(jìn)了他的生活，提莫如何在重重陰霾下抓出真兇……