火腿，火腿

? 5.3 播放：25萬 2026-05-07

希爾維婭（Penélope暫無內(nèi)容Cruz暫無內(nèi)容佩內(nèi)洛普?克魯茲暫無內(nèi)容飾）是西班牙某小鎮(zhèn)上參遜內(nèi)褲廠的縫紉女工，她與廠主的兒子喬西相戀，并懷有對(duì)方的孩子。優(yōu)柔寡斷的喬西發(fā)誓迎娶希爾維婭，卻遭到母親的強(qiáng)烈反對(duì)。為了拆散兩人，喬西的母親雇傭健美的內(nèi)褲模特盧去勾引希爾維婭，與此同時(shí)自己也臣服于盧年輕健碩的雄性魅力之下。隱約感到女友移情別戀的喬西傷心非常，繼而從希爾維婭的母親那里得到慰籍。

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? 播放 火腿，火腿

劇情提要

希爾維婭（Penélope暫無內(nèi)容Cruz暫無內(nèi)容佩內(nèi)洛普?克魯茲暫無內(nèi)容飾）是西班牙某小鎮(zhèn)上參遜內(nèi)褲廠的縫紉女工，她與廠主的兒子喬西相戀，并懷有對(duì)方的孩子。優(yōu)柔寡斷的喬西發(fā)誓迎娶希爾維婭，卻遭到母親的強(qiáng)烈反對(duì)。為了拆散兩人，喬西的母親雇傭健美的內(nèi)褲模特盧去勾引希爾維婭，與此同時(shí)自己也臣服于盧年輕健碩的雄性魅力之下。隱約感到女友移情別戀的喬西傷心非常，繼而從希爾維婭的母親那里得到慰籍。

幕后花絮

日夜男女

　　一對(duì)從外地來到北京打拼的陌生男女由于被騙不得已合租一間地下室，并同睡一張床引發(fā)的一段啼笑皆非的故事，與其他合租不同的是兩人分時(shí)段合租，男孩晚上住，女孩白天住。那么兩人如何被騙，又是怎樣住在一起，女孩晚上又在做什么？而當(dāng)這張床又被笨賊盯上，幾人圍繞這張床又會(huì)發(fā)生怎樣出人意料的故事呢？很快我們就能得到答案。 該劇針對(duì)性強(qiáng)，受眾度廣，笑點(diǎn)密集，情節(jié)曲折幽默，搞笑而不搞怪，通俗而不低俗。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster