即刻觀影
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抵擋計劃
Donald Cerrone,凱利·林恩·萊特,Vincent E. McDaniel,布蘭迪·羅德里克,Chris Maher一名被困在公寓里的年輕人，門外有一群惡魔，他必須找到一種方法度過夜晚，逃離213號公寓。
一秒2026
郭曉婷,周國賓,黨偉,鄧鋼在新疆無垠的靜謐雪原上，一個逃離都市的年輕女孩，與一個將回憶鎖進信箋的孤獨老人，意外成為彼此的“臨時家人”。他們一個學著與過去和解，一個學著向未來敞開，在極致純凈的天地間，共同寫就一封關(guān)于溫暖、陪伴與重新開始的冬日治愈詩篇。
超級馬力歐銀河大電影
克里斯·帕拉特,安雅·泰勒-喬伊,查理·戴,杰克·布萊克,布麗·拉爾森,唐納德·格洛弗,本·薩弗迪,科甘-邁克爾·凱,凱文·邁克爾·理查德森,路易斯·古茲曼,伊薩·雷,格倫·鮑威爾,蘿珊娜·奧德嘉重返奇妙世界，探索浩瀚宇宙，羅莎塔公主、酷霸Jr.、耀西等更多驚喜角色登場，開拓更宏大酷炫的版圖，呈現(xiàn)更精彩紛呈的冒險。
新萬圣節(jié)2
雪莉·穆恩·贊比,Chase Wright Vanek,絲柯·泰勒-考普頓,布拉德·道里夫,卡羅琳·威廉姆斯,馬爾科姆·麥克道威爾故事發(fā)生在位于伊利諾斯州的哈登菲爾德小鎮(zhèn)。臭名昭著的殺人狂邁克爾（泰勒·梅恩 Tyler Mane 飾）終于倒在了少女勞利（絲柯·泰勒-考普頓 Scout Taylor-Compton 飾）的槍下，然而之后他的尸體卻神秘的消失了，與此同時，在醫(yī)院里，出現(xiàn)了一個身份詭異而又神秘的病人，又一場血腥的殺戮即將拉開序幕?！ ⌒疫\的勞利再一次的從邁克爾的屠刀下死里逃生，可是，巨大的陰影始終籠罩在她的周圍，因為她知道，邁克爾一天不死，就總會再度回到她的身邊。一晃眼一年過去，萬圣節(jié)又要來了，與此同時將要舉辦的，是死難者的紀念會。勞利能夠感覺到，一雙熟悉的眼睛正在默默的注視著她。
心碎往事
安東·葉利欽,羅賓·威廉姆斯,蒂婭·里歐妮,埃里卡·巴杜,大衛(wèi)·杜楚尼,弗蘭克·蘭格拉,澤爾妲·威廉斯,瑪吉麗·阿馬蒂,奧加·索斯諾夫斯卡,奧蘭多·瓊斯,Bernie Sheredy,斯蒂芬·斯皮內(nèi)拉,愛麗絲·德拉蒙德,哈羅德·卡蒂耶,馬克·馬戈利斯父親的突然去世讓湯米（安東·尤金 Anton Yelchin 飾）一家人陷入了混亂，家庭無人照料一片狼藉，母親終日哭泣郁郁寡歡，就在這樣一種糟糕的情況下，湯米迎來了自己躁動又不安的青春，無處發(fā)泄的他只能通過調(diào)皮搗蛋來紓解心中的積怨。輟學后的湯米在一家熟食店打工，負責送貨?！ 缀团笥雅留斉了梗_賓·威廉斯 Robin Williams 飾）成天廝混在一起，帕魯帕斯是一個外表成熟但心智幼稚的“大齡兒童”，兩人之間的感情真摯又深厚。一次意外中，湯米結(jié)識了妓女蕾蒂（Erykah Badu 飾），后者帶領(lǐng)他進入了成年人的世界，享受了愛情的甜蜜與苦澀。一場意外的發(fā)生摧毀了湯米自由的生活，它不僅終結(jié)了湯米的現(xiàn)在，也波及到了他的未來。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.