劇情簡(jiǎn)介
Supermodels compete for a coveted centerfold spread as a merciless killer stalks the glamorous women. Meanwhile, two detectives attempt to unravel the mystery before the body count mounts.
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重大發(fā)現(xiàn)
尼爾·布林,丹妮爾·安德雷德一位計(jì)算機(jī)科學(xué)家/小說(shuō)家與他兒時(shí)的朋友團(tuán)聚，并闖入政府?dāng)?shù)據(jù)庫(kù)，同時(shí)面對(duì)他小時(shí)候所獲得的神秘行為的可怕后果。
二狗返鄉(xiāng)記
馬燦燦,李棟,胡雙全,柳秉鈺,梁棟,陶源品性憨直，風(fēng)趣幽默，農(nóng)村吃百家飯長(zhǎng)大的孤兒石二狗，在城市打工意外獲得彩票大獎(jiǎng)五百萬(wàn)，之后，他風(fēng)風(fēng)火火的回到老家，借著酒勁給鄉(xiāng)親們發(fā)錢，并且還想憑這五百萬(wàn)娶村長(zhǎng)的女兒石金鳳，但是卻遭到石金鳳的嘲笑，于是他發(fā)奮要為老家人民做點(diǎn)大事——修路，將修路的工程包給了金鳳城里的男朋友胡大光，以這樣顯示他的大度并期望博得金鳳的歡喜，可是卻由于經(jīng)驗(yàn)的缺失和文化知識(shí)的不足，被胡大光給蒙混了，手上的錢都讓胡大光騙走了，連答應(yīng)給村里修小學(xué)的錢也被騙的一光二凈，二狗又成了一個(gè)身無(wú)分文的窮光蛋。 二狗有錢的時(shí)候，在眾多人中招聘了韓美華作為村里學(xué)校的老師，現(xiàn)在二狗沒錢了，本以為韓美華會(huì)離開石頭村，但是由于二狗的善良和執(zhí)著，早已深深的打動(dòng)了美麗聰明的城里女孩韓美華。韓美華利用自己的經(jīng)驗(yàn)和智慧聯(lián)手以前一直瞧不起二狗的村民們，為二狗打贏了官司。最后在韓美華的指引和村民們的幫助下，石二狗憑借自己堅(jiān)韌的毅力，白手起家，帶領(lǐng)百姓發(fā)家致富開創(chuàng)了嶄新的事業(yè)。
浪浪人生
黃渤,范丞丞,殷桃,常遠(yuǎn),李嘉琦,劉雪華,付航,孫藝洲,張本煜,易小星,小愛,鄧恩熙,李治良,劉西蒙,郝瀚,杜夢(mèng)涵,莊園曾經(jīng)叱咤小鎮(zhèn)的“大哥”黃榮發(fā)（黃渤 飾）如今嘴硬腿軟，開啟人生困難模式，但他和家人都沒有被命運(yùn)的風(fēng)浪裹挾。兒子黑狗達(dá)（范丞丞 飾）看似是黃家唯一“淡人”，暗地卻密謀如何發(fā)家又“治父”；妻子陳梨珍（殷桃 飾）樣樣全能橫掃困難，是小鎮(zhèn)人盡皆知不太好惹的“媽系超人”；膽大手“黑”的女兒黃嬌嬌（李嘉琦 飾）和“神”通廣大的阿太（劉雪華 飾）也各出奇招笑料百出。逆境當(dāng)前，一家唯有興“瘋”作浪跟生活貼臉硬剛，沒準(zhǔn)真能讓他們絕地翻盤？
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
箭下的約翰娜
伊達(dá)·梅金·赫林斯多蒂爾,Grímur Hlynsson,Torgils Hlynsson,Elín ósk óskarsdóttir,Hrafn Tráinsson三個(gè)兄弟姐妹制作了一個(gè)騎士般的人物，結(jié)果卻射出了一連串的箭。隨著季節(jié)的推移，我們觀察了他們的生活，因?yàn)樗麄兌荚诮ㄔ旌筒鸪麄儽普娴淖髌贰?/p>
迷妄國(guó)度3
碧帕莎·芭素,埃朗·哈斯米,杰奎琳·費(fèi)南德斯故事背景設(shè)置在殘酷的娛樂圈內(nèi)，這個(gè)充斥著浮華、魅影、聚光燈的幕后。漸漸褪色的電影天后Shanaya求助于黑魔法來(lái)阻擾平步青云的影壇新星Sanjana，因?yàn)镾anjana已不擇手段地篡奪了她曾經(jīng)的位置。無(wú)情的Sanjana還利用她的愛人Aditya對(duì)付她，而Aditya當(dāng)初和她在一起，只不過(guò)是把她當(dāng)成一顆棋子助自己事業(yè)一臂之力。Aditya愛上了Sanjana并發(fā)誓會(huì)保護(hù)她，然而此時(shí)的Shanaya已成為一個(gè)瘋狂的魔鬼，她誓要耗盡他們所有人的生命。
東北奇妙故事
李明,馮筱童,張雪菡哲學(xué)系學(xué)生肖墨到殯儀館實(shí)習(xí)，試圖探尋“生死”答案，卻遭遇導(dǎo)師陳輝離奇死亡。村里流傳一口“應(yīng)聲井”可讓人起死回生。陳輝之子死于事故后，陳輝在古井許愿，次日離奇失蹤。肖墨隨神秘殯葬師老白頭返村調(diào)查，老白頭以科學(xué)逐一破解“靈異”現(xiàn)象：井中尸體、養(yǎng)女上吊、濃霧里的鬼打墻等怪事背后皆是精心布局的騙局。當(dāng)執(zhí)念遭遇科學(xué)，謊言被真相撕裂，眾人方知真正的深淵不在井里，而在人心。