即刻觀影
劇情賞析
編輯推薦
幸存者1999
格雷格·艾維甘,瑞秋·克勞福德,克勞迪亞·米歇爾森,大衛(wèi)·休萊特,Diego Matamoros,克雷·班奈特,Gene Mack,勞倫斯·貝恩《幸存者》講述了十億年前，外星異種來地球，進(jìn)行各種生物培育，因?yàn)榈貧み\(yùn)動劇烈，被火山巖漿淹埋。荒涼的北極科學(xué)探測站內(nèi)，正歡呼石油的到來，鉆臺無故斷電、礦井噴出神秘的膠體、員工被大卸八塊……頓時失去控制，當(dāng)站長亞當(dāng)、凱特等反應(yīng)過來，并組織起武裝防衛(wèi)時，95%的人們成了無辜冤魂，血肉模糊、腦髓迸射；不可抗力的人類浩劫就此爆發(fā)，從北極向全球瘋狂蔓延……
定格惡魔
艾斯琳·弗蘭喬茜,斯特拉·古奈特,湯姆·約克,凱奧林·斯普林加爾,詹姆斯·斯旺頓,Joshua J Parker,Jaz Hutchins,Bridgitta Roy一位定格動畫師，在失去專橫的母親后，正在努力控制自己內(nèi)心的的惡魔。她孤身一人，開始創(chuàng)作一部令人毛骨悚然的定格動畫電影，這部電影很快就成為她理智的戰(zhàn)場。當(dāng)她的精神開始崩潰時，她的動畫電影中的角色有了自己的意志，她釋放的想象力威脅著摧毀她的生活。
匹配
土屋太鳳,佐久間大介,金子統(tǒng)昭,真飛圣,后藤剛范,片山萌美,片岡禮子,杉本哲太,齊藤由貴影片是一部圍繞約會匹配軟件展開的原創(chuàng)懸疑片，戀愛方面晚熟的婚禮策劃人輪花（土屋太鳳 飾）被同事推薦了配對APP，雖然和一位男士匹配成功，但是出現(xiàn)在約會中的他卻和照片完全不一樣。與此同時，發(fā)生了針對APP用戶的連環(huán)殺人事件，事件朝著意料之外的方向發(fā)展，魔爪也漸漸逼近了輪花...佐久間大介飾演與主人公·輪花相遇，糾纏不休的跟蹤狂·永山吐夢。
第18朵玫瑰
尼基·瓦爾迪茲,克里斯·維拉努瓦,Yayo Aguila,蔡·科爾特斯,Donna Cariaga,Kira Balinger,VJ Mendoza,Timothy Castillo,Tuesday Vargas活力少女夢想著一場完美的成人禮，于是與孤獨(dú)的新來者達(dá)成一項(xiàng)協(xié)議，但意外的心動和真相也許會讓計(jì)劃徹底泡湯。
北區(qū)偵緝隊(duì)
吉爾·勒盧什,卡里姆·萊克路,弗朗索瓦·西維爾,阿黛爾·艾克薩勒霍布洛斯,肯扎·福特斯,Cyril Lecomte,邁克爾·阿比特波,伊迪爾·阿祖格利,Vincent Darmuzey,讓-伊夫·貝特魯,Ka?s Amsis,富?！ぜ{布拉,Abdellah Khoulalene,Ha?dy Khalil,Adel Boutouil,安娜伊斯·法布爾,吉爾伯特·特拉尼亞,安東尼薩桑·杰蘇薩桑2012年，馬賽北部地區(qū)是全法國犯罪率最高的地區(qū)。在上級領(lǐng)導(dǎo)的壓力下，BAC Nord警隊(duì)不斷改進(jìn)工作方式。在高風(fēng)險地區(qū)，警察選擇改變工作手段，有時甚至?xí)竭^界限。直到有一天，法律形勢開始對他們變得不利……
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster