瑞典禁忌
姐弟、母子很糾結(jié)很禁忌的情感糾葛，兄妹深深熊抱怎及母子輕輕蛇吻般曖昧；姐弟倆萊納斯，19歲，正在駕駛執(zhí)照和瓦尼婭，17歲的誰，誰是還在上學(xué)。他們的媽媽伊娃工程夜班在一間酒店。讓我們跟隨他們在一個月。 Linus和瓦尼婭開始沒有意識到，他們生活在自己的世界。并且既沒有空間讓媽媽或男孩和女朋友。起初它只是渴望愛情的潛想法。但是，當(dāng)他們以為進入的話沒有意識到，他們是彼此完美的一半。他們被吸引彼此靠近，最終無法抵抗對方的身體禁忌的誘惑。起初，他們否認，說謊，試圖反抗。這是關(guān)于羞恥和內(nèi)疚，并禁止感受這導(dǎo)致了一個地步，一切都處于危險之中。
即刻觀影
劇情賞析
編輯推薦
秩序的守護者
Cécile De France,Julien Boisselier在一次例行的夜間巡邏，警察朱莉和西蒙不慎傷了一個副局長的兒子，在昏迷狀態(tài)，沒有明顯的理由下，他暴力的殺死了他們的同事，面對紀律處分，他們得不到上級的支持，在為他們的報告進行調(diào)查的過程中，發(fā)現(xiàn)在這個年輕人的房子有一個奇怪的藥物。他們決定自己進行調(diào)查，發(fā)現(xiàn)一個新的網(wǎng)絡(luò)化制造販賣非法毒品的組織……
瘋癲和尚之再續(xù)前緣
雪村,鐘夫翔,石洋子影片講述了阜縣妖孽橫行，縣上的孩子不斷離奇失蹤，瘋癲和尚受命下界驅(qū)魔降妖，正巧碰上地府判官鐘馗來人間收魂。二人嬉笑怒罵斗嘴斗法，在爆笑不斷的接連烏龍中引出了神秘銀面人，還結(jié)識了美艷絕倫的客棧老板娘和憑借一張嘴就能把人“說死”的怪異書生，牽扯出一段前緣未盡癡纏幾世的人狐戀。千年妖狐日日行善卻為何屢屢煉鬼？神秘銀面人到底是誰？佛、道、妖、魔聚首阜縣，一場殺機四起的混戰(zhàn)即將開啟，瘋癲和尚又將如何應(yīng)對……
多浪迪總統(tǒng)
卡洛斯·阿雷塞斯,加維諾·迭戈,費爾南多·艾斯特索A satirical comedy that pokes fun at Spanish social and political stereotypes, featuring parodies of real events and special guest appearances from the political sphere.
魔鬼蜘蛛男
藤田進,岡譲司,舟橋元,松下猛夫,風(fēng)間繁美,八島恵子,宮城千賀子《蜘蛛男》是“江戶川亂步作品集”第七卷。故事開頭，怪紳士稻桓租下了一間事務(wù)所，把它重新裝修成美術(shù)藝品店。第二天開業(yè)時聘用了一名十八歲的美少女，但當(dāng)天晚上就奸殺了這名少女。接下來的幾天內(nèi)報紙社會版頭條陸續(xù)刊登了“碎尸案”、“美人魚案”。民間犯罪學(xué)者畔柳博士接手此案，在與藍胡子稻桓正面交鋒的過程中屢屢敗下陣來，直到環(huán)游歸來的明智加入偵破陣營……，故事從讀者預(yù)測不到的角度展開，是一部名探與殺人狂的斗智故事。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
空氣之魂，云之精靈
Michael Lake,Melissa Davis,Norman Boyd,Rhys Davis非常棒的超現(xiàn)實科幻片,與