瑪利亞的乳房
憑借《人形少女》迅速走，在片中飾演只要接觸到對(duì)方皮膚，就可得知對(duì)方死亡日期的超能少女真生。曾是超能少女的真生，現(xiàn)如今卻淪落到在低收入人群居住地進(jìn)行不法活動(dòng)的女人。真生每天活在得知各種男人死亡期限的恐怖陰影中。某天，一個(gè)名叫立花的男人出現(xiàn)在真生面前，立花的妻子因?yàn)閺恼嫔谥械弥榔谥笞詺⑸硗?，為了?fù)仇，立花想盡辦法接近真生并與其發(fā)生了關(guān)系……
即刻觀影
劇情賞析
編輯推薦
立體聲
于爾根·福格爾,莫里茲·布雷多,佩特拉·施密特-夏勒,格奧爾格·弗里德里希,賴(lài)納·博克艾瑞克經(jīng)營(yíng)一家摩托車(chē)修理店，和自己的女朋友以及她的年幼女兒幸福的生活在一起，然而這種平靜的生活被一個(gè)名叫亨利的陌生人打破了，艾瑞克過(guò)去的黑暗秘密陰影開(kāi)始籠罩這個(gè)家庭。我們真的可以完全告別過(guò)去嗎？我們可能已經(jīng)改變了，但是有些過(guò)去的行為卻繼續(xù)如影隨行?！ ≡凇读Ⅲw聲》中，一個(gè)男人充滿熱血、沒(méi)有絲毫膽怯的贖罪行為讓我們印象深刻。
啄木鳥(niǎo)和雨
役所廣司,小栗旬,高良健吾,臼田麻美,伊武雅刀,山崎努寧?kù)o的山村進(jìn)入雨季。村中的老伐木工人岸克彥（役所廣司 飾）為人古板，與兒子關(guān)系緊張。他在上工途中給東京來(lái)的新人導(dǎo)演田邊幸一（小栗旬 飾）和副導(dǎo)演帶路，由此被拉入一部喪尸電影的外景拍攝。在被迫充當(dāng)臨時(shí)演員后，克彥竟對(duì)電影產(chǎn)生了微妙的興趣，他開(kāi)始不請(qǐng)自來(lái)的幫助攝制組與村民溝通，開(kāi)展工作，甚至忽略了本職與妻子的忌日?！ ⊥蝗魂J入的攝制組擾亂了山村的平靜和克彥的生活，也改變了導(dǎo)演幸一自身。幸一生性靦腆缺乏自信，在攝制組中毫無(wú)威信。偶然間他發(fā)現(xiàn)自己的喪尸劇本竟為克彥所欣賞，不禁大受鼓舞，兩人在數(shù)次的泡澡時(shí)間里進(jìn)行了奇妙的溝通。在克彥的幫助下，幸一慢慢樹(shù)立了自信，電影拍攝也步入正軌。然而臨關(guān)機(jī)前的一場(chǎng)瓢潑大雨再次令拍攝陷入危機(jī)，克彥的缺席也令幸一惶恐無(wú)措起來(lái)…… 影片獲第24屆東京國(guó)際電影節(jié)評(píng)委會(huì)大獎(jiǎng)。片中兩位主演役所廣司和小栗旬在現(xiàn)實(shí)中亦均擔(dān)任過(guò)導(dǎo)演。
怪物2023
安藤櫻,永山瑛太,黑川想矢,柊木陽(yáng)太,高畑充希,角田晃広,中村獅童,田中裕子平靜的湖畔小鎮(zhèn)，疼愛(ài)兒子的單親媽媽早織（安藤櫻 飾）、為學(xué)生著想的爽直老師保利 （永山瑛太 飾）以及天真爛漫的孩子們本過(guò)著安穩(wěn)的生活，卻因?yàn)橐淮涡@沖突，發(fā)酵釀成軒然大波，惹起社會(huì)與媒體的關(guān)注。當(dāng)事態(tài)越見(jiàn)嚴(yán)重，竟在一個(gè)暴風(fēng)雨的清晨，兩個(gè)孩子雙雙失去了蹤影……
不被愛(ài)也沒(méi)關(guān)系
南沙良,馬場(chǎng)富美加,本田望結(jié),基俊介,河井青葉,伊島空,池津祥子本片是一部以大學(xué)生宮田陽(yáng)彩（南沙良 飾）為主角的“青春逃亡故事”。陽(yáng)彩一邊上學(xué)，一邊從早到晚忙于打工和家務(wù)。雖然母親并未對(duì)她施加暴力，但她一直被母親口中的“愛(ài)”束縛著，在這種溫柔卻令人窒息的絕望和對(duì)人生的失落感中度日。她定期給母親送錢(qián)，照顧她，卻始終感受不到真正的自由和幸福。某天，陽(yáng)彩在打工的地方邂逅了同班同學(xué)江永雅（馬場(chǎng)富美加 飾）。這次相遇，悄然改變了陽(yáng)彩的人生軌跡。
我爸救了圣誕節(jié)2
圣地亞哥·塞古拉,埃內(nèi)斯托·塞維利亞,Pablo Chiapella一家玩具公司的狡猾主管綁架了圣誕老人，這對(duì)父子必須挺身而出，營(yíng)救圣誕老人，拯救圣誕節(jié)。
那個(gè)人在想什么事情
John Price,Preben Neergaard,Lotte TarpThe main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.