影片推薦
長春花園
趙胤熙,金周靈,許棟元,鄭仁謙萇山虎
廉晶雅,樸赫權,申隣雅,李俊赫,方柔雪,許真,李律,李在恩縱橫四海
周潤發(fā),張國榮,鐘楚紅,朱江,曾江,胡楓,唐寧,鄧一君古劍奇譚之琴心劍魄
白澍,梁婧嫻,姜震昊,黃羿,王景灝血腥姐妹會
科林·伊格斯菲德,迪倫·斯派比利,米婭·羅斯·弗蘭普頓,蘭迪·庫卓,萊克西·阿特金斯,Lala Kent,Sarah McDaniel,雷卡·雷內(nèi),梅莉爾·羅斯,泰勒·喬恩·奧爾森,凱瑟琳·勒,塔尼婭,謝伊·巴克納,詹妮弗·提圖斯,Natali Yura哈文赫特死亡公寓
Julie Benz,Fionnula Flanagan,Belle Shouse同類精選
地面之下
Eric Abercrombie,Mira Antonova,Joseph Canales妮基·格拉瑟:好女孩
妮基·格拉瑟瘋狂的八人幫
迪娜·邁耶,喬治·紐伯恩,奇?!跔柶?Dan DeLuca,弗蘭克·威利瑪?shù)铝盏默數(shù)铝?/h3>海倫娜·霍華德,米蘭達·裘麗,莫莉·帕克,奧奎·奧克波克瓦西里,蘇妮特·瑪尼,費利佩·博尼拉,麗莎·薩爾斯,寇蒂斯·庫克,雷納爾多·皮涅拉,邁拉·盧克利希亞·泰勒,茱莉·塞爾達,達娜·埃斯科爾森,蘇澤特·古恩,邁克·霍奇,亞歷山德拉·塔塔爾斯基
四重唱
瑪吉·史密斯,湯姆·康特奈,比利·康諾利,保利娜·科林斯,邁克爾·剛本,謝里丹·史密斯,安德魯·薩克斯,格溫妮絲·瓊斯,特雷弗·皮科克,大衛(wèi)·萊爾,邁克爾·伯恩,羅尼·福克斯,帕特里夏·洛夫蘭德,伊琳·珀威爾,盧克·紐伯里黑暗之中
娜塔莉·多默爾,艾米麗·拉塔科斯基,艾德·斯克林,喬莉·理查德森,詹姆斯·科茲莫,尼爾·馬斯克爾,安珀·安德森,揚·貝弗特,貝恩·科拉科,萊克茜·本博-哈特,金·阿迪斯,丹尼爾·厄根,Chelsea O'Connor,雷納斯·拉特科夫斯基,奧萊加·費多羅影視排行
不能犯
松坂桃李,澤尻英龍華,新田真劍佑,安田顯,間宮祥太朗,真野惠里菜,蘆名星,矢田亞希子,菅谷哲也,岡崎紗繪,忍成修吾,水上劍星,水上京香,今野浩喜,堀田茜,小林稔侍《不能犯》改編自宮月新原著、神崎裕也作畫的同名漫畫,里面的主人公“電話亭之男”(松坂桃李)是一名類似于《死亡筆記》中夜神月的暗黑英雄,專殺那些本身有罪但沒有受到法律懲戒的人。
火中金
張桐,侯天來,李易祥八路軍教導員王金執(zhí)行鋤奸任務失敗又遭叛徒誣陷,被組織審查。王金憑著對黨的忠誠和堅強的意志率領這些身份復雜、性格迥異的人最終組成了一支神秘的隊伍,出生入死、歷經(jīng)艱險,突破重重險境,重新匯入抗日洪流,最終完成了鋤奸任務的故事。
超級火山
Ashley Ahlquist,格蘭特·鮑爾,Aaron Christensen,泰勒·克里斯托弗,Kyle Connors,Jessica DeBonville當一座超級火山威脅到夏威夷島時,一組專家必須與時間賽跑,拯救那些在熔巖路徑上的人,并永遠阻止它。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster