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旁觀者2025
陳坤,王硯輝,劉敏濤,容中爾甲,安澤豪,陳依莎,單禹豪,王勁松,陸玲,王雯那,姜穎函昭和殘俠傳:唐獅子仁義
高倉(cāng)健,藤純子,池部良,待田京介,小林千枝,志村喬那張照片里的我們
李沐,鄭振永,宋柏緯二〇二五年的歐陸
埃斯特·通帕,安娜瑪麗亞·比魯斯卡,馬里烏斯·達(dá)米安,伊林卡·馬諾拉切,瓦娜·馬爾達(dá)雷,謝爾班·帕夫盧,阿德里安·希塔魯,加布里埃爾·斯帕休,阿多尼斯·坦察我的陽(yáng)過阿公
柯一正,蔡明修,唐從圣,陳竹升,孔令元,葛丞,李宜儒,阮安妮退伍軍官
亞尼·卡普爾,莫娜·辛格,拉狄卡·馬丹,Aditya Rawal,沙魯巴·舒克拉,Faisal Malik,Amit Jha,Vikram Pratap,Harsh Purwar,Lata Shukla,Esha Shital同類推薦
在魔鬼門前
娜雅·里維拉,阿什莉·里卡茲,科林·伊格斯菲德一幢待售的房子,交到了年輕的女房產(chǎn)經(jīng)紀(jì)莉手上,她在房里發(fā)現(xiàn)了一個(gè)精神有些異樣的女孩,她以為那是前任房主離家出走的女兒,便想伸出援手,誰(shuí)知女孩似乎被一種超自然的力量控制,莉和她的藝術(shù)家姐姐薇拉,都難逃她的魔掌…
送葬人
道格拉斯·史密斯,盧錫安·拉維斯科特,克雷西達(dá)·博納斯,道格·瓊斯,邁克爾·特魯科,珍娜·凱內(nèi)爾,埃麗卡·特倫布萊,瑪麗莎·埃切維里亞,克利奧·金,費(fèi)·唐納薇,凱瑞-安·莫斯,雷·沃納爾,凱琳·伍黛爾,拉臘·諾克斯,喬納森·潘內(nèi)爾,尼古拉斯·薩德勒,瑪莎·哈克特,庫(kù)爾特·岳本片改編自Jonathan Penner小說《The Bridge To Body Island》。講述的是三個(gè)大學(xué)生,特雷弗·梅西,杰弗里·索羅斯和西蒙·赫斯曼在校外無(wú)意間釋放出一種超自然實(shí)體的故事,凱瑞·安-莫斯、費(fèi)·唐娜薇等影星傾力加盟。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
極度失眠
Maria Mathiesen,斯特蘭·斯卡斯加德,斯威爾·安克·奧斯達(dá),Gisken Armand,克里斯蒂安·菲根斯科1997年,一部來(lái)自挪威的驚悚片《失眠者》上映后獲得好評(píng),《芝加哥太陽(yáng)報(bào)》的著名影評(píng)人羅杰,艾伯特給出了3星半的高分,他盛贊該片“不僅僅是一部驚悚片或動(dòng)作片,而是一次心理學(xué)上的探索與學(xué)習(xí)”。兩犯罪調(diào)查者到挪威北方一個(gè)鎮(zhèn)幫助解決一個(gè)年輕的女孩的謀殺案,誰(shuí)知陷入了巨大的困境之中。
赤紅生死線
尼塔莎·吉拉尤吉恩,艾絲特·蘇普莉拉,Chutima Maholakul,托德薩蓬·邁蘇克,奔弘·奔提維此弓,寶哇麗·彭琵莫,阿卡那·凌米查,戴德·納塔南·昆瓦特三名女子淪為冷血電話詐騙的受害者。為了討回公道,他們決定對(duì)抗奪走他們金錢與尊嚴(yán)的犯罪網(wǎng)絡(luò)。