即刻觀影
劇情賞析
編輯推薦
布賴頓硬糖
薩姆·賴利,安德麗婭·賴斯伯勒,海倫·米倫,約翰·赫特,菲爾·戴維斯,儂索·阿諾斯,克雷格·帕金森,安迪·瑟金斯,西恩·哈里斯,杰夫·貝爾,史蒂文·羅伯特森,莫里斯·洛維斯,斯蒂夫·艾弗茨,Francis Magee,Adrian Schiller英國海濱小鎮(zhèn)布賴頓，凱特斯和卡林奧里兩大黑幫組織盤踞于此，互相角力，此消彼長。某夜，凱特斯被對頭當街殺害，視老大如親父的平基（Sam Riley 飾）目睹了兇案的全過程，于是想?yún)⑴c者之一的福瑞德（Sean Harris 飾）展開追殺。福瑞德雖死，卻留下一堆的麻煩，他生前為了躲避跟蹤曾某餐館女侍應(yīng)生羅絲（Andrea Riseborough 飾），并與之留下合影。為了銷毀證據(jù)，平基開始接近這名單純的女孩，而羅絲也漸漸愛上了帥氣冷酷的平基。與此同時，凱特斯的死亡也讓布賴頓的黑幫勢力失衡，一方面卡林奧里迅速擴張，一方面本幫內(nèi)部展開權(quán)力爭奪，平基深陷其中無法自拔…… 本片根據(jù)Graham Greene 的小說改編。
攔截火狐貍
Robert Sampson,Will Bledsoe,喬·托克爾It is the year 2022. A mysterious systems failure causes the crew of a spaceship to be stranded on the dark side of the moon, while rapidly running out of fuel and oxygen. They are surprised to discover a NASA space shuttle floating in space, and board it in the hope of salvaging some supplies....
精武陳真：租界風云
陳國坤,呂艷蓓,王宏哲,馬群雄,張姝陽,孫盈藝,張永華,阿諾1911年，陳真為師父霍元甲報仇后投身革命加入中國同盟會，受托調(diào)查軍閥與日本在天津租界的勾結(jié)。在執(zhí)行任務(wù)遭伏擊、同伴中毒的險境中，陳真與一度為敵的武人鄭邵遠從對決到聯(lián)手，最終陳真在租界內(nèi)與日諜頭目決一死戰(zhàn)，揭穿陰謀，公之于眾。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
我愛777
舒淇,天心,譚耀文,楊恭如占士邦（譚耀文 飾）長得一表人才又頗具才干，是廣告行業(yè)內(nèi)出了名的花花公子。因為對感情缺少信任，年歲漸長的他依舊保持單身，在內(nèi)心里，他一直希望能夠出現(xiàn)一個“完美的女人”，捕獲他的真心?！ ∽罱?，占士邦在工作上遇到了點麻煩，他需要策劃一支啤酒廣告，卻苦于沒有靈感。就在這個節(jié)骨眼上，仿佛是上天賜給他的禮物，一個神秘的女子茱莉亞（舒淇 飾）出現(xiàn)在了占士邦的生活之中，只是，當占士邦開始注意到茱莉亞之時，她早已經(jīng)消失的無影無蹤。茱莉亞的冷艷與神秘帶給了占士邦靈感，工作上的問題迎刃而解，與此同時，占士邦亦對茱莉亞的真身產(chǎn)生了興趣。
送葬人2023
那塔烏·桑亞布,察猜·欽西,Thanadon Buarabat,Nek Naruepol,Phuwanet Seechomphu,蒂提·斯里努亞爾,Siriamol Onkoon講述一名法學院畢業(yè)生喬德回到家鄉(xiāng)準備司法考試，但做殯葬業(yè)的父親卻生病了，怕鬼的他只好硬著頭皮協(xié)助家業(yè)。而錫安因為無法接受前女友的死亡，想方設(shè)法希望能再跟她見上一面，因此來幫喬德的忙。究竟在這個生與死交會的地方，他們會遇見什么樣的故事呢？