劇情縱覽
性感美艷的索女貝絲以持械行劫為職業(yè)，辦事又快又狠，加上敢作敢為的拍暫無內(nèi)容檔潘勞，和處變不驚的首領(lǐng)保羅，形成無敵鐵三角，三人的關(guān)系糾纏不清，終日沉淪毒品、暴力、情欲，這位索女偶爾在酒吧結(jié)識善良正義的小學(xué)教師亞倫，一暫無內(nèi)容切似乎開始轉(zhuǎn)變，但江湖仇殺令她醒覺，回歸平淡只是一場夢……
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臻選佳作
復(fù)仇女孩
貝拉·索恩,米基·洛克,切德·弗斯特,Glen Gould,蘭內(nèi)特·瓦雷
女兒為父親復(fù)仇的故事。講述女主回到家鄉(xiāng)探望她的父親，卻發(fā)現(xiàn)他在小屋里遭受了酷刑和謀殺。在尋找答案的過程中，她遇到了陰險(xiǎn)的治安官和其兄弟，發(fā)現(xiàn)了比她想象中更令人不安的家庭遺產(chǎn)。
天堂孤影
馬蒂·佩龍帕,卡蒂·奧廷寧,薩卡里·庫斯曼嫩
環(huán)衛(wèi)公司垃圾車駕駛員尼卡德（Matti Pellonp?? 飾）的老同事計(jì)劃籌資組建自己的環(huán)衛(wèi)公司，邀請尼卡德技術(shù)入股，但老同事不久急病突發(fā)身亡，尼卡德的生活重回一潭死水狀態(tài)。尼卡德心有不甘借酒滋事，在被拘留的時(shí)候結(jié)識日后的同事米卡拉。米卡拉偶而會不識趣的妨礙尼卡德暗地追求超市售貨員伊羅娜（Kati Outinen 飾），但他仍是尼卡德最可依賴的朋友。伊羅娜為報(bào)復(fù)超市經(jīng)理偷走了錢盒，尼卡德幫助她找到服裝店的新工作，服裝店經(jīng)理夾到尼卡德與伊羅娜的關(guān)系中間，但尼卡德最終奪回了自己的愛人?！ ”酒@1987年芬蘭電影尤西獎(jiǎng)最佳影片獎(jiǎng)。是導(dǎo)演郭立斯馬基（Aki Kaurism?ki）無產(chǎn)階級三部曲的第一部。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
明日回游
李貝貝,郝正,田鈊,馮丹菊
即將臨盆的李晴（李貝貝飾）被帶往一處郊區(qū)別墅靜心待產(chǎn)，卻在看似周密的照護(hù)背后，落入一場精心布局的驚天陰謀。身邊所有人都試圖讓她相信一個(gè)被構(gòu)造的“真相”，精神壓力與詭譎氛圍不斷侵蝕她的判斷力，使她難以區(qū)分現(xiàn)實(shí)與幻覺。隨著恐慌升級，她隨身攜帶的DV成為突破迷局的重要線索，故事走向也隨之產(chǎn)生翻轉(zhuǎn)。