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百日孤獨(dú)
伊萬·瑞恩,安德烈·赫尼克,雷納·沃納,佐伊·格萊斯戴爾,尼爾斯-布魯諾·施密特,蒂姆·威廉姆斯,克里斯蒂安·帕斯奎雷羅外星人侵占了地球，人們被迫逃到地底下的巨型地堡避難。S.U.M.1是一個(gè)忠誠的戰(zhàn)士，他被送到地面上來拯救幸存者并每天匯報(bào)情況。他的任務(wù)就是守衛(wèi)人類的自我防御區(qū)不讓外星人靠近，然而這每天的例行任務(wù)卻逐漸成為他的噩夢，令人恐懼的聲音在樹林里回蕩；基地每日都受到頻繁的攻擊；塔內(nèi)的電力供應(yīng)出現(xiàn)故障；修理工卻遲遲不出現(xiàn)。他的上司也從未告訴過他有關(guān)上一任的事。孤獨(dú)感與妄想癥慢慢侵蝕了他的理智。難道外星人真的埋伏在森林里嗎？還是S.U.M.1已經(jīng)被折磨到精神錯(cuò)亂了？
最終荷載
Judd Nelson,杰夫·法赫,德魯·沃特斯,瑪?shù)稀ず嗟律?/span>Pierce Butler, a former Marine and long-retired marijuana smuggler, whose wife is suffering from a rare type of cancer, must return to his drug-running ways and make one Final Load in order to save his house, his company, and his wife.
天堂孤影
馬蒂·佩龍帕,卡蒂·奧廷寧,薩卡里·庫斯曼嫩環(huán)衛(wèi)公司垃圾車駕駛員尼卡德（Matti Pellonp?? 飾）的老同事計(jì)劃籌資組建自己的環(huán)衛(wèi)公司，邀請尼卡德技術(shù)入股，但老同事不久急病突發(fā)身亡，尼卡德的生活重回一潭死水狀態(tài)。尼卡德心有不甘借酒滋事，在被拘留的時(shí)候結(jié)識(shí)日后的同事米卡拉。米卡拉偶而會(huì)不識(shí)趣的妨礙尼卡德暗地追求超市售貨員伊羅娜（Kati Outinen 飾），但他仍是尼卡德最可依賴的朋友。伊羅娜為報(bào)復(fù)超市經(jīng)理偷走了錢盒，尼卡德幫助她找到服裝店的新工作，服裝店經(jīng)理夾到尼卡德與伊羅娜的關(guān)系中間，但尼卡德最終奪回了自己的愛人?！ ”酒@1987年芬蘭電影尤西獎(jiǎng)最佳影片獎(jiǎng)。是導(dǎo)演郭立斯馬基（Aki Kaurism?ki）無產(chǎn)階級(jí)三部曲的第一部。
家族秘密2025
金惠恩,金范來,金寶侖隨著妍靜突然宣布重返職場， 她們發(fā)現(xiàn)自己離家的時(shí)間明顯增多。 之前一直疏遠(yuǎn)她心愛的鋼琴的米娜， 開始回避家人。 之前一直回避運(yùn)動(dòng)的鎮(zhèn)秀，突然每個(gè)假期都離家去鍛煉。 隨著秘密越積越多，溝通也變得支離破碎， 三人變得疏遠(yuǎn)卻又親近。 然后，有一天，一次偶然的相遇， 將妍靜、米娜和鎮(zhèn)秀的秘密串聯(lián)了起來…… 噓！當(dāng)你打開這扇秘密之門， 一個(gè)非常特別（？）的家庭故事就此展開！
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
賭俠1999
劉德華,朱茵,張家輝,高捷,張慧儀,張錦程,李子雄,吳毅將,吳志雄,黃子揚(yáng),林尚義,李兆基阿king（劉德華 飾）當(dāng)年因出千被捕，事實(shí)上他是被人陷害的。出獄時(shí)他為他接風(fēng)的是崇拜他已久的化骨龍（張家輝 飾），化骨龍是個(gè)終日無所事事的人，希望能跟著king有所作為。出獄后的king到處尋找已懷孕的妻子（張慧儀 飾），與當(dāng)日的得力助手（張錦程 飾）， 后來King與化骨龍妹妹晴（朱茵 飾）產(chǎn)生了好感?！ ing得到Rocky（吳志雄 飾）的幫助上了賭船，碰見了多年前便想交手的馬交文（高捷 飾），king想與之一決高低，卻遭到馬交文的手下省鏡（李子雄 飾）陷害，揭開了king的底細(xì)更想進(jìn)一步迫害king，king又能否躲過劫數(shù)呢？