M夫人的日記
別名: The Diary of Lady M 她是一位美麗而有天賦的演員,但她的表演不是那種吸引潮流人群的風格。盡管她不太有機會出名,但她對作為一名主流之外的演員生活非常滿意。一晚,一名曾看過她的表演并希望能認識她的西班牙畫家,在等待他重返舞臺,他們漫步巴黎并彼此逐漸了解,之后畫家返回了西班牙,可是 M 夫人內(nèi)心的深處的激情已被他激發(fā)而不能平靜,她飛去巴塞羅那見他,他們的關系由普通的朋友演變?yōu)榕炫鹊那橛?。M 夫人對他如此的迷戀,以至于當她發(fā)現(xiàn)這位畫家有一位黑妻子子與孩子時,她雖然有一點意外,但仍然邀請他們?nèi)胰グ屠枧c她相會,而他們真的這么做了,情欲關系由兩人變成了三個人
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劇情提要
別名: The Diary of Lady M 她是一位美麗而有天賦的演員,但她的表演不是那種吸引潮流人群的風格。盡管她不太有機會出名,但她對作為一名主流之外的演員生活非常滿意。一晚,一名曾看過她的表演并希望能認識她的西班牙畫家,在等待他重返舞臺,他們漫步巴黎并彼此逐漸了解,之后畫家返回了西班牙,可是 M 夫人內(nèi)心的深處的激情已被他激發(fā)而不能平靜,她飛去巴塞羅那見他,他們的關系由普通的朋友演變?yōu)榕炫鹊那橛?。M 夫人對他如此的迷戀,以至于當她發(fā)現(xiàn)這位畫家有一位黑妻子子與孩子時,她雖然有一點意外,但仍然邀請他們?nèi)胰グ屠枧c她相會,而他們真的這么做了,情欲關系由兩人變成了三個人
暗夜精選
求藥
何一諾,劉平,李思韻,孛璽宇,胡軼凡,孫梓屹,徐丹,王成,馮丹雷霆營救
安志杰,Vanessa,羅偉,趙儒嫣,Alleyn,柯恬柔,Hamid,高明燊無瑕修女
西德尼·斯維尼,西蒙納·塔巴斯科,阿爾瓦羅·莫奇,貝內(nèi)黛塔·波爾卡羅利,朵拉·羅馬諾,吉皮耶羅·朱迪卡,喬治·科蘭杰利A面B面
陳曉東,張靜初,芙蓉姐姐,袁文康,孔維,鄧家佳,任泉,王洛勇 Luoyong Wang校園鬼
韓藝璃,金花雨,申智秀,樸元尚,李鐘碩一個叫小小船的男孩
J·K·西蒙斯,杰克·布塞,諾爾·古格雷米,盧·坦普爾,麗莎·德·拉佐,伯納德·庫里,Patricia Kalis,Jamille James,尼克·法內(nèi)爾,Julian Atocani Sanchez,Addam Bramich,Miranda Skerman,Keanu Wilson,Zeyah Pearson,杰西卡佩斯最后決戰(zhàn)
皮埃爾·若利韋,讓·布伊茲,讓·雷諾幕后花絮
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
飛砂風中轉(zhuǎn)
和義盛坐館火水(方中信 飾)在篩選馬仔后備軍時,被一個開餐館的廚師火腩(陳小春 飾)所吸引,后者做的叫花雞味道鮮美,令他難忘。從此,他對火腩特別照顧,委以重任。找到了保護傘的火腩可以繼承祖業(yè),跟妻子(葉璇 飾)夫唱婦隨經(jīng)營義盛小館,并盤算讓兒女進入名校就讀。正在此時,金融危機來臨,方中信遇到困難,堂主之位不保,此時他希望能夠讓火腩做接班人,穩(wěn)定軍心。然而,和義盛開山祖師后人十三妹(余安安 飾)卻力薦剛出獄的兒子燕子文(鄭伊健 飾)出任堂主之位。于是,兩個本不想做堂主的后起之秀被架上了PK臺?;痣钪幌氚残慕?jīng)營自己的飯店,而燕子文則希望進入大學進修,無心戀戰(zhàn)的兩人將面臨一場怎樣的對決呢?