即刻觀影
劇情賞析
編輯推薦
靈異隧道實(shí)錄
貝爾·德利亞,Andy Rodoreda,Steve Davis,盧克·阿諾德,戈蘭·D·克魯特,James Caitlin,Ben Maclaine,彼得·麥卡拉姆,Rebecca Clay,Shannon Harvey,Arianna Gusi,Russell Jeffrey,Jessica Fallico,Ben James,Peter Overton,瑞妮·林,丹·伊利克澳大利亞悉尼，新南威爾士正遭受嚴(yán)重的干旱，水資源短缺成為亟待解決的問(wèn)題。為了應(yīng)對(duì)這一情況，政府決定開(kāi)發(fā)一項(xiàng)水資源循環(huán)利用的項(xiàng)目，其中包括將位于悉尼城市下方的一段廢棄的鐵路隧道加以利用。圍繞隧道的改造和難民去向，在社會(huì)上引起了巨大爭(zhēng)論。雖然沸沸揚(yáng)揚(yáng)，但是該廢棄隧道的改造計(jì)劃卻戛然而止。與此同時(shí)，關(guān)于隧道中存在著神秘怪物的傳言也愈演愈烈?！ ∫欢蝁outube上流傳的視頻引起了女記者娜塔莎·華納（貝爾·戴利亞 Bel Deliá 飾）的注意，她聯(lián)系了幾名業(yè)內(nèi)的好友和同事，帶著攝像器材前往隧道中一探究竟，恐怖的旅程就此拉開(kāi)序幕……
惡魔的藝術(shù)
阿麗莎·維爾斯,蘇帕克森·柴蒙蔻,特林·賽塔歐克,克朗通·拉查塔萬(wàn),頌猜·沙圖吞,埃薩拉·奧查庫(kù),尼魯·素查,克里塔尤德·蒂姆納特,鮑勃·布克霍爾茲,雪莉·嘉森,桑迪·?？怂?艾爾維亞·蓋坦,格蘭特·喬治,尤里·洛文塔爾,戴夫·麥羅,蘇珊·馬奎,布萊斯·峇本布魯克,塔拉·普拉特,薩姆·里格爾,克莉絲汀·盧瑟福,菲利斯·桑普勒,斯蒂芬妮·社,史蒂夫·斯塔利,道格·斯通,丹·沃倫影片圍繞著一個(gè)家庭遭到情婦利用"黑色巫術(shù)"復(fù)仇的故事展開(kāi).講述了一個(gè)百萬(wàn)富翁全家人被神秘而詭異的地殺害。沒(méi)有絲毫線索; 無(wú)法找到可以指證的兇手。神秘而恐怖的死亡令所有人為之困惑。一位罪案報(bào)道記者參與進(jìn)此案的調(diào)查, 發(fā)現(xiàn)一個(gè)美貌的女人有可疑。他該如何向所有人證明她就是那個(gè)一直隱藏著的、并且擅長(zhǎng)"魔鬼的藝術(shù)"的情婦? ...
獸性
歐萊雅·阿瑪拉,Damien Rebattel,Vivien Rodriguez,Claude Chaballier,Elies-Morgan Admi-Bensellam,Pierre Roux,Marinette Rafai,Renaud Vinuesa,Benjamin Cuillé,Philip Chabanon,Cendrine Lapuyade,Vincent Ribera,Bruno Séguier,Jacques Valentin卡馬爾格，法國(guó)——內(nèi)吉瑪正在努力訓(xùn)練，以贏得當(dāng)?shù)氐亩放１荣悺Ｈ欢?，在一次慶?；顒?dòng)后，她被牛襲擊，開(kāi)始注意到一些令人不安的變化。與此同時(shí)，一頭失控的公牛在社區(qū)中橫行，導(dǎo)致年輕男子接連喪命，令居民們感到恐慌。
莎拉的筆記本
貝倫·魯埃達(dá),馬諾洛·卡多納,Florin Opritescu,恩里克·洛維索,瑪麗安·阿爾瓦雷斯,伊萬(wàn)·門德斯勞拉，來(lái)自馬德里的西班牙律師，為尋找她失蹤的妹妹薩拉，深入剛果叢林的鈳鉭鐵礦產(chǎn)區(qū)，營(yíng)救妹妹
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
黑暗之家
Arkadiusz Jakubik,Marian Dziedziel,Kinga Preis,Bartlomiej Topa,Katarzyna Cynke,Robert Wabich,Robert Wieckiewicz,Krzysztof Czeczot,Eryk Lubos,Lech Dyblik,Marcin Juchniewicz,Bartosz3e Zukowski,Grzegorz Wojdon,Slawomir Orzechowski,Anna Grzeszczak1978年的某個(gè)寒冷秋夜，迷路的希羅頓走進(jìn)了一個(gè)偏僻的農(nóng)場(chǎng)。農(nóng)場(chǎng)主夫婦熱情地招待了這位不速之客，賓主一起喝酒聊天，談得十分投機(jī)。不料人心的貪欲引發(fā)了血的悲劇…… 四年后的冬天，姆爾茲警官負(fù)責(zé)調(diào)查這起兇殺案，他和重要證人希羅頓一起前往現(xiàn)場(chǎng)檢證。敷衍了事的調(diào)查、嫌疑人的回想……在一片混沌之中，驚人的真相漸漸浮現(xiàn)而出……