新墮落東京之奴隸

諜影行動

　　冷戰(zhàn)時，全球兩大特工組織——俄羅斯“中心”與英國“圓場”明爭暗斗。特工遇害，高層震怒，責成“圓場”挖出“地鼠”。懷疑對象共有5人，即圓場上任“老總”命名的鍋匠，裁縫，士兵，窮人，乞丐。其中，金盆洗手的“乞丐”喬治·史邁利(加里·奧德曼 Gary Oldman 飾)本來有重大嫌疑。某日，行動組-剝頭皮組頭目的彼得·吉勒姆(本尼迪克特·康伯巴奇 Benedict Cumberbatch 飾)與英國內(nèi)閣辦公室諜報總監(jiān)拉康排除了史邁利的嫌疑，令其重新出山，負責挖出“地鼠”。于是，史邁利開始分別走訪故人，調(diào)查“圓場”老大阿勒萊恩，裁縫-比爾·海頓(科林·費斯 Colin Firth 飾)，士兵-掌管東歐事務(wù)的資深間諜羅埃·布蘭德，窮人-后勤部門點路燈組組長托比·伊斯特哈斯。一時間，圓場疑云密布，人人自危，究竟誰才是“地鼠”……　　本片本片根據(jù)約翰·勒卡雷的同名小說改編。片名來自英國民間的“鵝媽媽童謠集”。

姐妹董事會

　　公司高管梅根成立了一個董事會，以改善她妹妹混亂的生活，并與一位心理學教授墜入愛河，后者發(fā)現(xiàn)了她強硬的舉止。

大佛回國

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

不良教育

　　威克斯教員帶著他剛完成中學學業(yè)的學生們修學觀光。

著牛仔褲的鐘馗

　　香德祖（成奎安 飾）是一名香港皇家警察，他的老婆（王小鳳 飾）懷孕待產(chǎn)，夫妻二人親密非常。這一日，他們?nèi)メt(yī)院檢查的路上，遭遇一伙銀行劫匪。出于職責，香拋下妻子奮勇上前追擊。經(jīng)過一番追車和搏斗，香制服歹徒，卻被匪首暗算，致使鋼筋穿胸而死，尸體被埋于亂鐵之中。是夜，一只黑貓?zhí)舷愕纳眢w，剛好猛雷劈下，香竟奇跡般復(fù)蘇，變成活脫脫的僵尸。他復(fù)活后力大無比，但害怕陽光，還需要定期充電。香自知時日無多，決定對妻子隱瞞這個秘密，并將銀行劫匪繩之以法?！　×硪环矫?，匪徒當初逃跑時劫持少女Gucci（葉蘊儀 飾）為人質(zhì)，混亂中Gucci拿著裝錢的箱子逃跑。憤怒的劫匪四下尋找Gucci，當他們得知香還在人間之時，一番正邪大戰(zhàn)在所難免……