午后曳航

1.9 播放:02萬 更新:2026-05-13
主演: Lewis/John/Carlino/

Sarah Miles飾演一位年輕的寡婦,有個十二、三歲的兒艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。兒子漂亮文雅,熱愛海洋,崇拜水手的生活。母子兩人坐在海邊的小城中,兒子有一群壞朋友,也都是一些孩子。這些人有個小領(lǐng)袖,是個天生的小叛徒。兒子愛母親,住的房間和母親的房間只有一墻之隔,墻上有個小洞,他每天夜里都要偷窺母親的行動,包括母親的換衣和裸體。一天,母親為取悅兒子,帶他去見一位船長,竟和船長相戀。當(dāng)母親和船長纏綿時,發(fā)現(xiàn)隔墻有耳,母親怒斥了兒子。故事的結(jié)局是:兒子和他的那群朋友,在小領(lǐng)袖的指揮下,把那文雅的船長給殺掉了。

播放通道

詳細簡介

Sarah Miles飾演一位年輕的寡婦,有個十二、三歲的兒艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。兒子漂亮文雅,熱愛海洋,崇拜水手的生活。母子兩人坐在海邊的小城中,兒子有一群壞朋友,也都是一些孩子。這些人有個小領(lǐng)袖,是個天生的小叛徒。兒子愛母親,住的房間和母親的房間只有一墻之隔,墻上有個小洞,他每天夜里都要偷窺母親的行動,包括母親的換衣和裸體。一天,母親為取悅兒子,帶他去見一位船長,竟和船長相戀。當(dāng)母親和船長纏綿時,發(fā)現(xiàn)隔墻有耳,母親怒斥了兒子。故事的結(jié)局是:兒子和他的那群朋友,在小領(lǐng)袖的指揮下,把那文雅的船長給殺掉了。

同類推薦

狄仁杰之彼岸奇花

陳浩民,尚娜,劉金,金寧,崔冬辰,陳宇星,劉威州

  狄武周天授元年,嶺南潞州城司馬孔成業(yè)迷戀修道煉丹,傳聞?wù)业搅碎L生不老丹的藥方,只缺一味名叫彼岸花的奇草。傳言這是來自地獄的死亡之花,常年生長在墳冢幽谷之中,能致人產(chǎn)生幻覺,中幻覺者如妖邪附體般,發(fā)狂發(fā)癲,死狀凄慘?! 】壮蓸I(yè)發(fā)出懸賞,采到彼岸花者,賞百金。山民獵戶等紛紛進山尋找,連孔成業(yè)也帶人到處扒墳冢、探幽谷。忙活的孔成業(yè)突然慘死,死前發(fā)狂。連他的幾名參軍也死相極慘,都說孔成業(yè)采到了彼岸花,被妖邪附身殺死,鬧得滿城風(fēng)雨。潞州刺史陸英杰上報朝廷,恰逢狄仁杰巡查嶺南諸州,女皇武則天命其前往潞州,全權(quán)調(diào)查此案.。

獵殺超自然

約翰·威爾士,Darren Lee Cupp,艾迪森·格蕾絲·倫道夫

  A gunslinger on a mission from God must track down supernatural creatures as penance for his past sins.

浴血黑幫電影版

基里安·墨菲,麗貝卡·弗格森,蒂姆·羅斯,蘇菲·蘭朵,奈德·丹內(nèi)利,派克·李,伊恩·佩克,杰伊·利庫戈,巴里·基奧恩,斯蒂芬·格拉漢姆,薩米·喬納斯·希尼,魯比·阿什伯恩·瑟金斯,山姆·貝克-瓊斯,卡斯珀·希爾頓-希勒,馬丁·安格鮑爾,馬克·威爾金森,托馬斯·阿諾德,安迪·M·米利根,羅利·威爾遜,馬克斯·凱文漢姆

 1940年的伯明翰,在第二次世界大戰(zhàn)的混亂中,湯米·謝爾比(基里安·墨菲 飾)從自我放逐中回歸,直面著迄今為止最具破壞性的清算。家族和國家的未來岌岌可危,湯米必須面對自己心中的惡魔,并選擇是直面它還是將其毀滅。

綁架者2026

雷佳鑫,楊力,田華,黃一飛,陶慧敏,趙毅

  佳宇打算去北京阻止父母離婚。被佳宇救助的鄧凱幫他籌錢。父母回村辦離婚,佳宇被鄧凱假綁架,反被傳銷分子利用敲詐佳宇父母,父母報警,佳宇被救。佳宇在景區(qū)招商匯演時表演當(dāng)年父親失敗的魔術(shù),挽留父母。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.