激情邊緣
JOHN與安妮在結(jié)婚前夕準備結(jié)婚時, 被不明車子撞到, JOHN不幸死亡, 而安妮流產(chǎn), 安妮幾乎崩潰. 出院后, 偶遇徐文彬的妻子美秀及兒子仔仔, 恰巧美秀需要請保姆來照顧她的兒子, 安妮就順理成章的住進文彬大宅, 更幻想有一天能取代美秀地位, 當個母親. 美秀有心臟病, 不能太劇烈興奮ML, 美秀為了改善夫妻感情, 竟然利用安妮肉體, 當成結(jié)婚紀念日的禮物, nbsp; 送給文彬和安妮一夜春宵, 從此就種下了悲劇的危機, 不但美秀在家的地位不保, 連丈夫和兒子都向著安妮, 美秀責怪安妮沒遵守游戲規(guī)則, 將她趕出家門. 但文彬不忘安妮, 仍然經(jīng)常和安妮暗地發(fā)生姦情熱愛, 并計劃遠走高飛. 待文彬瀕臨家破人亡時, 安妮已經(jīng)想起當年撞死JOHN的車輛車牌號碼, 於是事先籌劃周全, 將文彬帶到JOHN墓園, 請君入甕, 準備報復(fù)......
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劇情簡介
JOHN與安妮在結(jié)婚前夕準備結(jié)婚時, 被不明車子撞到, JOHN不幸死亡, 而安妮流產(chǎn), 安妮幾乎崩潰. 出院后, 偶遇徐文彬的妻子美秀及兒子仔仔, 恰巧美秀需要請保姆來照顧她的兒子, 安妮就順理成章的住進文彬大宅, 更幻想有一天能取代美秀地位, 當個母親. 美秀有心臟病, 不能太劇烈興奮ML, 美秀為了改善夫妻感情, 竟然利用安妮肉體, 當成結(jié)婚紀念日的禮物, nbsp; 送給文彬和安妮一夜春宵, 從此就種下了悲劇的危機, 不但美秀在家的地位不保, 連丈夫和兒子都向著安妮, 美秀責怪安妮沒遵守游戲規(guī)則, 將她趕出家門. 但文彬不忘安妮, 仍然經(jīng)常和安妮暗地發(fā)生姦情熱愛, 并計劃遠走高飛. 待文彬瀕臨家破人亡時, 安妮已經(jīng)想起當年撞死JOHN的車輛車牌號碼, 於是事先籌劃周全, 將文彬帶到JOHN墓園, 請君入甕, 準備報復(fù)......
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紅色之州
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好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
海底兩百里
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看不見的女兒
A man, who years earlier mysteriously abandoned his family and isolated himself in a small northern town, returns for one last chance to reconnect with his troubled daughter. When she goes missing, he risks everything to find her, including exposing the fact that he is becoming invisible.