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劇情簡(jiǎn)介
男主的父親給男主找了一個(gè)繼母,由于即將面臨高考,男主生活中存在著一些壓力,而他釋放壓力的方式則比較變態(tài),用偷來(lái)的繼母的內(nèi)褲進(jìn)行自慰,不料被繼母發(fā)現(xiàn),男主干脆一不做二不休,對(duì)繼母的身體展開(kāi)了侵襲,而在繼母的欲拒還迎之下,男主找到了屬于自己的溫柔鄉(xiāng)....
同類好片
葉塞尼亞
杰奎琳·安德瑞,喬治·拉瓦特,艾爾瑪·洛扎諾,胡安·加利亞,奧斯卡·莫雷利,Pilar Sen,伊莎貝拉·科羅娜,Claudia Martell,艾麗西亞·羅德里格斯,奧古斯托·貝內(nèi)迪克,維克托·阿爾科塞爾,何塞·巴伐利亞,羅莎·弗曼,Maria Wagner,費(fèi)爾南多·索萊爾妖獸都市
黎明,李嘉欣,仲代達(dá)矢,張學(xué)友,張耀揚(yáng),李若彤,袁和平,葉山麗子嚴(yán)懲
瑞恩·菲利普,泰格·諾塔洛,喬伊芙·德雷克,Hakim Callender,詹姆斯·杜蒙特,Stephen Louis Grush,拉斯·拉索,Ian Barford,Ramona Tyler,Skipper Landry,Heidi Brook Myers,Michael Boyne,Forrest Forte,Katie Sills,Zac Cino觀光路線
喬什·杜哈明,丹·福勒,米勒克爾·勞麗,Christie Burson,彼得·邁克爾·戈茨南方時(shí)光
陳玄力,吳慷仁,孫淑媚,黃迪揚(yáng),謝以樂(lè),蘇韋華,黃工蕓,朱俐安,鄭有杰劫車
Ron Perlman,Saffron Burrows人氣佳作
突破二十五馬赫
凱特·卡普肖,莉·湯普森,凱利·普雷斯頓,拉里·B·斯科特,華金·菲尼克斯,泰特·多諾萬(wàn),湯姆·斯凱里特,巴里·普賴默斯瑞奇·熱維斯:人生苦短
瑞奇·熱維斯趣塔德莊園
戴米恩·路易斯,凱瑟琳·沃特斯頓,托馬辛·麥肯齊,本·拉德克利夫,湯姆·費(fèi)爾頓,艾瑪·萊爾德,李·布羅德曼,湯姆·古德曼-希爾,吉米·卡爾,莉莉·奈特,亞當(dāng)·伍德沃德,查理·羅爾斯,盧卡斯·凱利,內(nèi)森·霍爾,亞歷山大·巴特勒,莉茲·霍普利,艾琳·奧斯汀,瑪格達(dá)萊娜·斯維蘭德,杰瑪·瓦德?tīng)?勞瑞·奧格登總統(tǒng)拍檔
杰克·萊蒙,詹姆斯·加納,丹·艾克羅伊德導(dǎo)演精選
掠殺者
故事發(fā)生在蘇格蘭一個(gè)名叫英維思的偏遠(yuǎn)寧?kù)o小鎮(zhèn)。夜幕愈加濃重,年輕女警官瑞秋(Pollyanna McIntosh 飾)被鬧鐘喚醒,她有條不紊穿戴整齊,隨后出門行走在空無(wú)一人的街道中央。在某個(gè)路口,瑞秋目擊不遠(yuǎn)處站著一位老人,但隨后老人被一輛飛馳而來(lái)的汽車撞到。瑞秋沖上前去,然而并未看到被撞之人,她只得將肇事者凱撒(布萊恩·沃納 Brian Vernel 飾)扭送回警局,與麥克·瑞德警長(zhǎng)(道格拉斯·羅素 Douglas Russell 飾)一同審問(wèn)。稍后凱撒被關(guān)入牢房,而警局的同事也找到了那名神秘且一言不發(fā)的受傷老人?! ×钊穗y以置信的是,老人似乎擁有直抵他人內(nèi)心的能力,同時(shí)也讓對(duì)方暴走瘋狂,這注定是一個(gè)不平凡的夜晚……
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
命運(yùn)之書
火、水、風(fēng)、土、和空氣,生命五種核心元素曾經(jīng)注入在一本書--命運(yùn)之書。黑暗籠罩了大地,需要借助筆和書的力量,但這本書卻失蹤了,人們以為它永遠(yuǎn)消失了,但數(shù)百年后卻又再度出現(xiàn)……