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英格麗德·波爾索·貝達(dá)爾,露西·波爾,哈魯克·比爾根納爾,卡蒂婭·里曼,科斯馬·肖,羅伯特·西利格瘟疫
喬爾·埃哲頓,埃利奧特·赫弗南,埃弗雷特·布倫克,凱奧·馬丁,肯尼·羅斯牧森,盧卡斯·阿德勒,科爾頓·李,Kolton Lee煎釀三寶
楊千嬅,劉青云,許冠文,李蘢怡,許紹雄私生活2025
朱迪·福斯特,維爾日妮·埃菲拉,馬修·阿馬立克,丹尼爾·奧特伊,文森特·拉科斯特,盧安娜·巴杰拉米,索菲·勒圖訥爾赤赤煉戀
土屋太鳳,吉澤亮,千眼美子,吉田羊,大杉漣,有森也實(shí)靶場
凱莉·康奈爾,史蒂芬妮·皮爾森,羅德·埃爾南德斯,安東尼·科洛,阿萊克薩·伊姆斯,杰森·托比亞斯,Aion Boyd,Eric Matuschek,Ikumi Yoshimatsu,Hana Burson,Chris Powell,Graham Skipper,Nick Burson,Emory Lawrence同類精選
鬼滴語3
納得克·庫吉米亞,蘭達(dá)娜瓦迪·望同,潔莉爾查·卡本,卡杰布泓迪緹特·珈迪,佩拉克里特·帕查拉布納亞基特四人新世界
董驃,呂方,黃韻詩,吳雪雯,秦沛,吳啟華,邵國華魔法壞女巫2
辛西婭·埃里沃,愛莉安娜·格蘭德,杰夫·高布倫,楊紫瓊,喬納森·貝利,伊?!に谷R特,瑪麗莎·博德,彼特·丁拉基,科爾曼·多明戈,亞當(dāng)·詹姆斯,艾米麗·蒂爾尼,艾琳·巴特爾,邁克爾·瓜內(nèi)拉,莎拉-杰恩·里德爾,雅雅·哈姆扎,瑞安·曼,喬爾·斯特恩,利里奧·博阿滕,莉茲·艾森,里卡多·盧德羅·蘇薩,卡勒姆·鮑耶宇宙毀滅記
Jeff Morrow,Barbara Lawrence,John Emery毛骨悚然撞鬼經(jīng) 2013夏季特別篇
指原莉乃,坂口憲二,深田恭子,藤谷太輔,鈴木福不是鬧著玩的
李易祥,于根藝,曹隨風(fēng),田華影視排行
從此以后
康妮·布里登,喬瓦尼·索羅菲瓦,托馬索·巴西利,巴貝蒂達(dá)·薩喬,亞歷山德羅·布雷薩內(nèi)羅,Syama Rayner,安德烈亞·布魯斯基,Freya Hannan-Mills,Giorgia Trasselli,Lollo Franco當(dāng)Claire的女兒在一次瀕死體驗(yàn)后表現(xiàn)出越來越令人不安的行為時(shí),她開始相信自己的女兒把邪惡的東西從另一個(gè)世界帶回來了。
肥龍過江
甄子丹,毛舜筠,周勵(lì)淇,王晶,林秋楠,張繼聰,竹中直人,丞威,渡邊哲,王祖藍(lán),詹瑞文,陳友,伍允龍,林曉峰,周俊偉,林盛斌,泰臣,葉山豪,嚴(yán)華,喻亢,馮勉恒香港警察朱福龍(甄子丹 飾)因一次工作失誤慘被降級,萬般無奈之際又遭未婚妻可兒(周勵(lì)淇 飾)悔婚,事業(yè)愛情的雙重打擊令他一蹶不振,暴飲暴食六個(gè)月后體重猛增到220磅!上司黃警官不忍其繼續(xù)墮落,委派朱福龍前往日本押送一名犯人,并承諾只要完成任務(wù)就可以為他恢復(fù)職位。可惜來到日本,倒霉的事件便接連在他身上發(fā)生,不僅財(cái)物盡失,連犯人也在押送途中逃脫了。幸好得到前香港警察瀟灑哥(王晶 飾)的幫助才得以暫時(shí)解困,為了完成任務(wù)找回犯人,朱福龍與瀟灑哥共同行動,不料在查找真相的過程中發(fā)現(xiàn)了日本黑幫的驚天陰謀......
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
阿特拉斯聳聳肩3
克里斯托弗·普拉哈,勞拉·里根,喬昆姆·德·阿爾梅達(dá),艾瑞克·阿蘭·克拉默,羅伯·莫洛國家的經(jīng)濟(jì)正在快速崩潰,罪犯和黑暗勢力控制了整個(gè)國家,政府已經(jīng)無能為力,一個(gè)女人有了答案,她和其他人會不惜一切去找到他。他是誰?他是約翰.高爾特。本片獲得第35屆金酸莓獎(jiǎng)提名最差翻拍、節(jié)選與續(xù)集。