欲海輪回

評分：9.0 播放：58萬 更新：2026-05-02

本片講述文藝復(fù)興時期，意大利女畫家阿特米西亞（瓦倫蒂娜 ;切威 Valentina Cervi飾）青年時代的凄美愛情故事。清秀美麗的阿特米西亞出生于藝術(shù)世家，父親奧拉其奧（米歇爾t;塞羅 Michel Serrault飾）在意大利已是很有名望的畫家。然而在藝術(shù)方面天賦異稟的阿特米西亞，無視那些清規(guī)戒律，從而不能進入美術(shù)學(xué)院。可這并沒有阻礙她對繪畫的執(zhí)著追求，仍然狂野熱烈的創(chuàng)作著。直到她遇見畫家阿格斯提諾 bull;塔西（米基 ;馬諾洛維克 Miki Manojlovi ;飾），她闖入畫室把畫好的男性L體給他看。塔西被她的勇氣與美貌所吸引，更對她不凡的天賦所震撼。自然地，兩人墜入愛河。然而這熾熱迅猛的愛情卻被她的父親阻撓，把塔西告上法庭。悲劇上演  影片榮獲1998年金球獎最佳外語片提名。 　　

影片推薦

同類精選

影視排行

柔似蜜

劉玉玲,勞倫斯·壽,奧賴恩·李,詹妮弗·林,胡紫蕊,陳清仁,伊萊文·李,安季·德貝尼德托,蘇珊·波爾法,杰森.托特納姆,戴夫·沙蘭斯基,達納·德·塞里斯,安東尼·科米斯,埃里克·萊威頓,格蕾絲·沈,凱特·凱林,扎克·卡爾德隆,阿蒂卡斯·埃爾薩斯,施安·湯姆林森,亞當·錢勒·貝勒特,約瑟夫·Y·李,弗蘭妮·馬斯,喬·梅

改編自Frank Shyong撰寫的《洛杉磯時報》報道《一個垂死母親的計劃》(A Dying Mother’s Plan)。來自真實事件，被形容為“讓人心碎的故事，聚焦理解心理疾病的多層面的重要性，尤其是亞裔社群中”，講述在圣蓋博谷，一個患上癌癥絕癥的母親奮力想要幫助自己情緒不穩(wěn)定的兒子——她發(fā)現(xiàn)兒子對大規(guī)模槍擊案越發(fā)沉迷。

赤紅生死線

尼塔莎·吉拉尤吉恩,艾絲特·蘇普莉拉,Chutima Maholakul,托德薩蓬·邁蘇克,奔弘·奔提維此弓,寶哇麗·彭琵莫,阿卡那·凌米查,戴德·納塔南·昆瓦特

三名女子淪為冷血電話詐騙的受害者。為了討回公道，他們決定對抗奪走他們金錢與尊嚴的犯罪網(wǎng)絡(luò)。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

地下世界

喬治·班克羅夫特,艾弗琳·布倫特,克里夫·布洛克,弗萊德·科勒,海倫·林奇,拉里·塞蒙,Jerry Mandy,Alfred Allen,Shep Houghton,Andy MacLennan,Julian Rivero

 依據(jù)1922年的兇殺案改編，描寫販賣私酒的匪幫和警方角力的故事。影史第一次以盜匪當主角，運用背面打光和煙霧，頗具藝術(shù)風格，廣受歡迎，也預(yù)示40年代黑色電影的來臨。