嚴(yán)佳麗和蜘蛛俠玩得很開(kāi)心

　　影片講述在地球已被外星人占領(lǐng)了10年之后的芝加哥市區(qū)，一股反抗勢(shì)力異軍突起，與服從派的政府勢(shì)力產(chǎn)生了不可調(diào)和的矛盾，一場(chǎng)戰(zhàn)斗由此而生?！斗攪?guó)度》由焦點(diǎn)影業(yè)出品，將于3月29日在北美上映。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

 艾斯與他手下的一隊(duì)精英街頭賽車手，在一個(gè)神秘組織威脅到他身邊之人時(shí)，被迫卷入一項(xiàng)高籌碼任務(wù)。在“四朋友”事件之后，他們發(fā)現(xiàn)自己竟在為惡名昭彰的“刺客教會(huì)”效力，并被指派去完成一項(xiàng)不可能的工作。然而，當(dāng)他們不斷突破極限時(shí)，卻揭示了一個(gè)令人不寒而栗的真相——失敗本就是計(jì)劃的一部分。在這場(chǎng)腎上腺素飆升的驚悚之旅中，背叛、速度與生存激烈碰撞，真正的競(jìng)賽不僅為了勝利，更是為了活命。

　　在一個(gè)平凡的美國(guó)小鎮(zhèn)，同性戀男孩被人殺害，他的死卻引起了廣泛爭(zhēng)議。自稱代表上帝的牧師艾賓·庫(kù)伯（麥克·帕克斯 Michael Parks 飾）帶領(lǐng)信眾游行示威，控訴著世間各種丑態(tài)與罪行。另一邊，高中生特拉維斯（Michael Angarano 飾）、賈羅德（Kyle Gallner 飾）、比利-雷（Nicholas Braun 飾）卻相約夜晚出行，尋找屬于青春時(shí)代的放浪與刺激。誰(shuí)知渴望狩獵的少年，反倒成了他人的獵物。他們落入庫(kù)伯及其信眾的陷阱，隨時(shí)都會(huì)失去生命?！　×硪环矫?，美國(guó)槍支管理局的特工約瑟夫·吉南（約翰·古德曼 John Goodman 飾）逐漸掌握庫(kù)伯囤積槍支的證據(jù)，一場(chǎng)無(wú)關(guān)正義與道德缺失的攻防戰(zhàn)即將展開(kāi)……