農(nóng)夫偷香記

? 6.3 播放：82萬 2026-05-13
主演： Alan/Roberts/

年青的查泰來女士從美國來到英國，在一家服裝店作業(yè).某日，接到已多年不來往的查泰萊宗族的律師電話，簽定承繼她的親屬已故七年的查泰萊夫人的遺產(chǎn).當她來到查泰萊莊園時發(fā)現(xiàn)她承繼的遺產(chǎn)現(xiàn)已資不抵艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。她開端行動了 middot; middot; middot; middot; middot; middot; nbsp;

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劇情提要

年青的查泰來女士從美國來到英國，在一家服裝店作業(yè).某日，接到已多年不來往的查泰萊宗族的律師電話，簽定承繼她的親屬已故七年的查泰萊夫人的遺產(chǎn).當她來到查泰萊莊園時發(fā)現(xiàn)她承繼的遺產(chǎn)現(xiàn)已資不抵艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。她開端行動了 middot; middot; middot; middot; middot; middot; nbsp;

幕后花絮

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

尤為明亮的生物

70歲的寡婦托娃·沙利文在索維爾灣水族館做夜班清潔工，三十年前兒子的失蹤一直是她心中的痛。她與館里聰明的太平洋巨型章魚馬塞勒斯建立起奇妙的羈絆，馬塞勒斯總能在她難過時給予無聲的陪伴。與此同時，迷茫的青年卡梅隆·卡斯莫正在尋找自己的生父，他的人生也因這場尋找而逐漸清晰。兩條看似無關(guān)的故事線，因馬塞勒斯的意外發(fā)現(xiàn)慢慢交織。