即刻觀影
劇情賞析
編輯推薦
萇山虎
廉晶雅,樸赫權(quán),申隣雅,李俊赫,方柔雪,許真,李律,李在恩熙璉（廉晶雅飾）的兒子俊敘在首爾走失了，傷心欲絕的她帶著失憶的婆婆回到老家萇山休養(yǎng)，希望婆婆能早點(diǎn)想起俊敘是怎么失蹤的。有一天，熙璉在萇山附近的洞穴遇見(jiàn)一個(gè)衣衫襤褸的神祕(mì)女孩，或許是同情憐憫，或許是空虛寂寞，熙璉將女孩帶回家，打算在找到無(wú)名女孩的父母之前照顧她。兩人日漸親近，漸漸地女孩變得好像熙璉的女兒一樣，她喊起熙璉「媽媽」，還叫自己「俊?！梗菝才c音聲越來(lái)越像消失無(wú)蹤的「俊敘」。神秘女孩到來(lái)之后，陸陸續(xù)續(xù)發(fā)生難以理解的怪事，熙璉的婆婆先是幻聽(tīng)，然后還被傳說(shuō)中棲息在萇山洞穴的妖物擄走……熙璉能夠找回兒子俊敘嗎？破碎的一家能在妖怪陰影之下再度團(tuán)圓嗎？
交響詩(shī)篇超進(jìn)化1
名冢佳織十年前，發(fā)生了震撼世界的重大事件“第一次愛(ài)之夏”。蘭頓失去了他的父親阿德洛克，現(xiàn)在已經(jīng)在邊境城鎮(zhèn)貝爾福雷斯特參加了塔州聯(lián)盟軍校。被稱(chēng)贊為英雄的已故父親。 什么都沒(méi)有的單調(diào)日常。蘭頓身邊的一切都很悶。 但在蘭頓面前，世界上最古老的LFO尼爾瓦修突然出現(xiàn)。 從駕駛艙出 現(xiàn)的是優(yōu)萊卡。蘭頓和優(yōu)萊卡的旅程將在哪里結(jié)束？
約瑟夫·門(mén)格勒的消失
奧古斯特·迪赫,達(dá)娜·赫弗斯,布爾格哈特·克勞斯納,安東·利特維諾夫,海因茨·K·克拉蒂格,馬克西米利安·梅耶-布雷澤內(nèi)德,Carlos Kaspar,阿麗娜·利特維諾娃,Tetiana Lytvynova,David Ruland,Rodrigo Costa Pereyra,Diana Stepanova,Santino Lucci,Ramiro Lucci本片聚焦臭名昭著的納粹醫(yī)生約瑟夫·門(mén)格勒的逃亡軌跡，從巴拉圭的藏身之所到最終遁入巴西叢林深處，再現(xiàn)這名"死亡天使"流亡南美的隱秘歲月。
豬豬俠大電影之競(jìng)速小英雄
在這場(chǎng)前所未有的時(shí)空競(jìng)速里，豬豬俠和星航這對(duì)“最佳損友”駕駛著星際列車(chē)穿越時(shí)空回到過(guò)去、他們能否可以扭轉(zhuǎn)命運(yùn)，在最終的賽場(chǎng)上改寫(xiě)結(jié)局，守護(hù)賽車(chē)夢(mèng)想？
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
Y計(jì)劃
韓韶禧,全鐘瑞,金新綠,鄭英珠,金圣喆,李在均,柳始我人生低谷迫使兩位女子偷盜數(shù)百萬(wàn)黃金——這是他們?nèi)松凶詈笠淮紊镭P(guān)的冒險(xiǎn)。 美善（Mi Seon）和道靜（Do Gyeong）或許早已習(xí)慣在首爾江南區(qū)最危險(xiǎn)的地段掙扎求生，但這并不意味著她們已經(jīng)安于此地。除了彼此之外，兩位好友只能拼命攢錢(qián)，想要擺脫危險(xiǎn)的生活方式。然而，就在“退休”指日可待之際，世界卻背叛了她們，粉碎了她們的希望。在絕路邊緣，她們?cè)诮蠀^(qū)發(fā)現(xiàn)了一筆隱藏的財(cái)富，其中包括贓款和黃金——并將所有賭注押在了人生中最后一次豪賭上。