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少林傳人
狄龍,爾冬升,白彪,艾飛,詹森方法演技
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山口勝平,林原惠美,日高范子,鹽澤兼人,玉川紗己子,大林隆介,緒方賢一,高山南,井上喜久子,鈴置洋孝,井上和彥,鶴弘美,山田榮子,松井菜櫻子,山寺宏一,佐久間玲,關俊彥,島津冴子,吉村傭,子安武人,真殿光昭,石田彰,永井一郎,麻生美代子六號關口
凱特·波茨沃斯,托馬斯·克萊舒曼,盧錫安·拉維斯科特,馬丁·麥凱恩導演精選
死亡陰影
1989年,位于賓夕法尼亞州的東部礦區(qū)麥諾斯維爾小鎮(zhèn),年僅6歲的小男孩馬丁·布里斯托爾(蔡斯·佩哈切克 Chase Pechacek 飾)被人綁架。在此后的5年里,馬丁身在何處?又經歷了什么?無人知曉。 1994年的一天,父母雙亡的少女艾莉森·米勒(亞歷珊德拉·達達里奧 Alexandra Daddario 飾)隨叔叔喬納森(邁克爾·比恩 Michael Biehn 飾)搬到麥諾斯維爾居住。這個出身大城市的女孩漸漸適應了這個偏遠鄉(xiāng)間的生活,也結識了帥氣的男孩威廉(諾蘭·吉拉德·范克 Nolan Gerard Funk 飾)。但是新生活的陽光很快退去,那幢廢棄的農舍引起了艾莉森注意。她不知道,失蹤已久的馬丁也在黑暗中注視著他,這個男孩過早地見識了事件最為殘酷與血腥的一面……
巨獸格果
50年代,美國拍了《原子怪獸》,日本拍了《哥斯拉》,50年代末期英國又趁熱打鐵拍了《海底巨獸》。1961年又和米高梅合拍了《巨獸格果》。 《巨獸格果》不像其他怪獸電影那樣,怪獸開頭都是神龍見首不見尾,最后城市大戰(zhàn)時露個全身。本片中怪獸破壞的鏡頭完完全全的展現(xiàn)在觀眾面前,拆了倫敦塔橋,還推到了大本鐘。最后全憑兩雙大腳一路踩爆房屋,磚瓦四濺,相當過癮。本片講述了人類抓到了一只可愛的小怪獸——格果,然后把它關進馬戲團里,哪知道后來把怪獸老娘惹來了…
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster