家有俏女仆

★ 8.8 播放：15萬 更新：2026-05-06
主演：Dilma Loes Neuza Amaral Beth 

英文名：Como  Eacute; Boa Nossa Empregada (1973)三個男孩，誰在家里工作的女傭之間的某關(guān)系的故事。 　　

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劇情簡介

英文名：Como  Eacute; Boa Nossa Empregada (1973)三個男孩，誰在家里工作的女傭之間的某關(guān)系的故事。 　　

導(dǎo)演精選

鬼屋脫身

　　一個年輕女子被一個背木邪教綁架和她的報(bào)復(fù)。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

南方時光

小洲總是背著父親薛大隊(duì)長在學(xué)校調(diào)皮搗蛋，這次跟死黨小馬與胖雄又闖禍了，訓(xùn)導(dǎo)主任牛頭于是一狀告到薛大隊(duì)長那里。父親將小洲痛責(zé)，更在他書包里搜出小馬的香煙，為此又將小洲嚴(yán)懲。小洲含冤受屈后憤而出走，心中更暗盼父親可以從這個家消失；沒想到當(dāng)晚從對岸發(fā)射的兩顆導(dǎo)彈竟令小洲如愿，薛大隊(duì)長必須離家往前線去。父親不在家，小洲與小馬、胖雄的行動更肆無忌憚，卻因此而惹上學(xué)校的小霸王大毛。小洲為對抗大毛，求助于國宅幫的少年頭頭A 司；A 司答應(yīng)幫忙，卻要三人付保護(hù)費(fèi)。 　　三人夾在大毛與 A 司之間，飽受兩方威脅。這時臺灣面臨戰(zhàn)爭邊緣，股票大跌，總統(tǒng)直選在即，民間吹起移民潮。1996 年的南方時光，紛擾躁動，回想起來令人惘然。