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別告訴媽媽保姆死了
朱恩·斯奎布,丹妮爾·哈麗絲,喬安娜·卡西迪,Phoenix Parnevik,泰里克·威瑟斯,杰梅因·福勒,妮可·里奇,Iantha Richardson,邁爾斯·福勒,格斯·肯沃西,Simone Joy Jones,Patricia Williams,Donielle T. Hansley Jr.,阿亞米·斯萊奇,特莉薩娜,Robert M. Lee,卡特·揚(yáng),Lizet Upia,Hannah Wimbrey,Dominique Toney得墨忒耳號(hào)的最后航程
科里·霍金斯,艾斯琳·弗蘭喬茜,利亞姆·坎寧安,大衛(wèi)·達(dá)斯馬齊連,克里斯·瓦利,喬恩·瓊·布里恩斯,斯蒂芬·卡皮契奇,馬丁·弗魯倫德,尼古拉·尼克拉斐,伍迪·諾曼,哈維爾·博泰特,格雷厄姆·特納,安迪·穆雷,尼科洛·帕塞蒂,克里斯托弗·約克,努爾丁·法拉西,亞當(dāng)·肖,杰克·多格特,莎莉·里夫當(dāng)家好女婿
Adrian Vazquez,Jero Medina,Verónica Bravo誤人子弟
林海峰,黃秋生,徐子淇,張達(dá)明,伍詠薇,葉廣儉,蘭茜去海邊的路
原田琥之佑,麻生久美子,高良健吾,唐田英里佳,菅原小春大明嬪妃之離間
宋洋,朱一龍,何杜娟,關(guān)慧卿同類(lèi)推薦
遠(yuǎn)山淡影2025
廣瀨鈴,二階堂富美,吉田羊,卡米拉·愛(ài)子,松下洸平,三浦友和,柴田理惠,渡邊大知,鈴木碧櫻1982年,英國(guó)。一位年輕有抱負(fù)的日英混血作家準(zhǔn)備書(shū)寫(xiě)其母親——1952年,英國(guó)。戰(zhàn)后移英的日本婦人悅子,因長(zhǎng)女自殺而憶起在長(zhǎng)崎的最后一段時(shí)光。悅子與婦人幸子相遇,幸子也準(zhǔn)備和女兒出國(guó),對(duì)新生活翹首以待。然而,作家在拼湊線索及母親的記憶碎片時(shí),漸漸發(fā)現(xiàn)母親的記憶與現(xiàn)實(shí)相左.…..石川慶改編諾貝爾文學(xué)獎(jiǎng)得主石黑一雄早年同名原著,雙線刻劃戰(zhàn)后女性掙扎求存之境,表面平靜實(shí)質(zhì)波瀾不休,折射出大時(shí)代下壓抑而沉重的集體記憶與痛苦。
基卡2025
瑪儂·克拉維爾,Makita Samba,托馬斯·庫(kù)芒,Suzanne Elbaz,Ethelle Gonzalez Lardued,伯納德·布蘭卡恩,Kadija Leclere,安納爾·斯諾克,Thierry Hellin,埃洛迪·巴特爾斯伴侶猝然離世,39歲的社工琪卡驚覺(jué)腹中孕育著新生命。盡管處境艱難,這個(gè)獨(dú)自面對(duì)命運(yùn)的女人仍決定留下孩子,用柔弱的肩膀扛起守護(hù)家庭的重量——在支離破碎的生活里,為未出世的生命筑起體面的避風(fēng)港。
與王生活的男人
柳海真,樸志訓(xùn),劉智泰,田美都,李浚赫,樸智煥,金旻1457年的清泠浦,一場(chǎng)注定失敗的守護(hù),一段永被銘記的情誼。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
正直的候選人2
羅美蘭,金武烈,尹敬浩,徐現(xiàn)宇,樸真珠,尹斗俊羅美蘭、金武烈、尹京浩將繼續(xù)合作出演《正直的候選人2》,續(xù)集依舊由張幼珍執(zhí)導(dǎo)。將講述羅美蘭挑戰(zhàn)道知事選-舉引發(fā)的故事。他們?nèi)伙椦莸慕巧c前作一樣。 計(jì)劃下半年開(kāi)拍。