地中海廚娘
張揚(yáng)灑脫的索菲亞(Olivia暫無內(nèi)容Molina暫無內(nèi)容飾)在父母的餐館里長(zhǎng)大,從小便流露出對(duì)料理的極度熱情與天賦,并不顧母親阻攔毅然放棄學(xué)業(yè)投身餐飲。身為餐廳經(jīng)理的帥小伙法蘭克(阿方索·巴薩維暫無內(nèi)容Alfonso暫無內(nèi)容Bassave暫無內(nèi)容飾)驚訝于索菲亞的料理潛能,決心要使她成為世界一流的女廚師,在美味的催化下,兩人擦出愛情火花。然而于此同時(shí),和索菲亞一直保持穩(wěn)定關(guān)系的初戀情人東尼(帕科·萊昂暫無內(nèi)容Paco暫無內(nèi)容León暫無內(nèi)容飾)也正在鍥而不舍地向她求婚。五年時(shí)光如白駒過隙,索菲亞和丈夫東尼生了三個(gè)孩子,過著外人看來幸福富裕的生活,直到一天法蘭克再度出現(xiàn),又重新喚醒了索菲亞內(nèi)心深處對(duì)料理的追求與愛的激情。幾番爭(zhēng)執(zhí)后,東尼終于決定支持妻子的理想,并為她買下了一間豪華餐廳。在三人的齊心協(xié)力下,索菲亞的料理事業(yè)如日方升,三人的關(guān)系也在食欲和情欲中完美契合,出現(xiàn)了令人意外的發(fā)展……
在線播放
劇情簡(jiǎn)介
張揚(yáng)灑脫的索菲亞(Olivia暫無內(nèi)容Molina暫無內(nèi)容飾)在父母的餐館里長(zhǎng)大,從小便流露出對(duì)料理的極度熱情與天賦,并不顧母親阻攔毅然放棄學(xué)業(yè)投身餐飲。身為餐廳經(jīng)理的帥小伙法蘭克(阿方索·巴薩維暫無內(nèi)容Alfonso暫無內(nèi)容Bassave暫無內(nèi)容飾)驚訝于索菲亞的料理潛能,決心要使她成為世界一流的女廚師,在美味的催化下,兩人擦出愛情火花。然而于此同時(shí),和索菲亞一直保持穩(wěn)定關(guān)系的初戀情人東尼(帕科·萊昂暫無內(nèi)容Paco暫無內(nèi)容León暫無內(nèi)容飾)也正在鍥而不舍地向她求婚。五年時(shí)光如白駒過隙,索菲亞和丈夫東尼生了三個(gè)孩子,過著外人看來幸福富裕的生活,直到一天法蘭克再度出現(xiàn),又重新喚醒了索菲亞內(nèi)心深處對(duì)料理的追求與愛的激情。幾番爭(zhēng)執(zhí)后,東尼終于決定支持妻子的理想,并為她買下了一間豪華餐廳。在三人的齊心協(xié)力下,索菲亞的料理事業(yè)如日方升,三人的關(guān)系也在食欲和情欲中完美契合,出現(xiàn)了令人意外的發(fā)展……
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黑域封鎖
特瓦納·巴尼特,邁克·弗格森,LeeAnne Bauer食人之饑
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張柏芝,古天樂,范冰冰,黃偉文,許紹雄,張錦程,黃浩然,毛堅(jiān)造孽
斯蒂凡尼·埃斯特斯,扎克·沃德,湯姆·格林,莎儂·多赫提,里昂·拉瑟姆,蘇菲·迪伊,費(fèi)莉莎·羅斯,Kevin Porter,基思·雅各,John Murray,James Cullen Bressack,托馬斯·唐尼別來這兒
瓊·伊約拉,阿拉祖,尼古拉斯·薩爾蒙亞伯拉罕先生
Omar Sharif,伊莎貝爾·阿佳妮,伊莎貝爾·阿佳妮 Isabelle Adjani人氣佳作
導(dǎo)演精選
鬼府神工
A budding art restorer travels to a small Italian village to bring a medieval painting back to its former glory. Little does she know she is placing her life in danger from an evil curse and a monster born of myth and brutal pain.
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
上帝陰影下
一位精英驅(qū)魔師在對(duì)他的父親進(jìn)行未經(jīng)授權(quán)的驅(qū)魔時(shí),懷疑與他戰(zhàn)斗的實(shí)體是一個(gè)神圣的存在——甚至可能是上帝。