即刻觀影
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等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
唱歌的六個女人
竹野內(nèi)豐,山田孝之,水川麻美,アオイヤマダ,服部樹咲,萩原實里,桃果,武田玲奈,津田寬治,白川和子,竹中直人萱島(竹野內(nèi)豐)收到父親的訃告回到故鄉(xiāng),從萱島的父親那里繼承土地的宇和島(山田孝之)與他一起,在山路上開車行駛時遭遇了意外事故。兩人醒來時,發(fā)現(xiàn)自己身處森林深處,被六個美麗的女人監(jiān)禁著。
杰出公民
奧斯卡·馬丁內(nèi)茲,達迪·布列瓦,安德麗婭·弗里杰里奧,諾拉·納瓦斯,曼努埃爾·維森特,馬塞洛·丹德烈亞,貝倫·沙瓦納,古斯塔沃·加爾松,朱利安·拉基爾·泰拉里尼,艾瑪·里維拉,尼古拉斯·德·特蕾西,丹尼爾·卡爾吉曼,亞歷克西斯·洛佩茲·科斯塔,萊昂納多·穆里亞,佩德羅·羅斯小說家丹尼爾(奧斯卡·馬丁內(nèi)茲 Oscar Martínez 飾)從剛出道起事業(yè)就順風順水,如今更是獲得了諾貝爾文學獎的殊榮,攀登上了職業(yè)的頂峰,然而這榮譽卻并未帶給他滿足,恰恰相反,丹尼爾擔心名聲和財富會奪走他文學創(chuàng)作上的靈感與鋒芒?! ∫换窝畚迥赀^去,丹尼爾熱度不減,邀約和獎項不斷,可冷淡而又避世的他只教助手一一回絕。一封來自小鎮(zhèn)薩拉斯的信吸引了丹尼爾的注意,薩拉斯是他闊別已久的故鄉(xiāng),如今邀請他踏上故土,接受“杰出公民”的獎項,在未告知媒體和朋友們的情況下,丹尼爾獨自踏上了返鄉(xiāng)的旅途,在那里,他再度見到了曾經(jīng)的戀人艾琳(安德麗婭·弗里杰里奧 Andrea Frigerio 飾),如今的艾琳早已經(jīng)嫁為人妻,而她的丈夫正是丹尼爾的舊友安東尼奧(達迪·布列瓦 Dady Brieva 飾)。
旺姆的夏天
旺卓措,久巴,卓杰澤仁,澤王拉姆,落周求吉尼瑪該片根據(jù)編劇的童年經(jīng)歷進行創(chuàng)作。影片講述女主旺姆在丈夫離世之后,秉持著傳統(tǒng),為了丈夫來世不需背負生前的債務(wù),而接手丈夫生前巨額的債務(wù)替他還債,從而一步一步被生活逼到絕境的故事。
諾瑪·蕾
莎莉·菲爾德,博·布里奇斯,羅恩·雷布曼,帕特·亨格爾,芭芭拉·巴斯里,蓋爾·斯特里克蘭德,摩根·保羅,羅伯特·布羅伊爾斯,John Calvin,布思·科爾曼,李·德布魯,詹姆斯·路易西,Vernon Weddle,吉爾伯特·格林,鮑勃·米諾故事發(fā)生在一個南部小鎮(zhèn)的棉織廠,諾瑪(莎莉·菲爾德 Sally Field 飾)和她的家人都在這里工作。這個工廠的工作環(huán)境異常惡劣,工人們每天都經(jīng)受著資本家的無情剝削和艱辛勞動。面對這種不公平的待遇,工人們備受壓迫和困擾。為了改變這種狀況,總工會派來了一名經(jīng)驗豐富的組織者,希望能夠協(xié)助當?shù)毓と私M織自己的工會,為工人們爭取更好的待遇和權(quán)益。然而,工人們對組織者的到來持有懷疑態(tài)度,他們心存疑慮,擔心這只是一個無望的嘗試。組織者面臨著許多困難和挑戰(zhàn)。工人們對他進行冷嘲熱諷,老板則用各種無理阻攔來阻礙工會的成立??吹竭@一切,諾瑪內(nèi)心充滿了憤慨和不滿。她是一個有著堅強意志的女性,對不合理的事物總是敢于挑戰(zhàn)。受到組織者的激勵和影響,諾瑪最終選擇站出來,成為了改變的先鋒。
失控2018
李·佩斯,杰森·蘇戴奇斯,朱迪·格雷爾,寇瑞·斯托爾,艾琳·莫里亞蒂,賈斯汀·巴薩,邁克爾·庫立茲,塔拉·薩莫斯,伊多·戈德堡,岡本玉二,阿瑟·邁爾斯·法里卡,艾梅柏·里維拉,布賴恩·泰斯特,杰弗里·霍爾斯曼,奧馬爾·克魯茲·索托,Isabel Arraiza,Tyler Crumley,路易斯·O·羅薩多李·佩斯出演美國傳奇汽車公司德勞瑞恩的創(chuàng)始人——天才汽車設(shè)計師約翰·德勞瑞恩,影片設(shè)定在1980年代,德勞瑞恩創(chuàng)建還沒幾年,正在崛起,聚焦約翰和蘇戴奇斯飾演的Jim Hoffman的關(guān)系。Hoffman看似有趣迷人,其實他是一名前詐騙犯,現(xiàn)在為FBI工作,他來約翰這里當臥底,想要控告其販毒。兩人建立的一段有趣的bromance也很快急轉(zhuǎn)直下,行差踏錯。