即刻觀影
劇情賞析
編輯推薦
魂游1871
Sam Groom,Tom Hallick,弗朗辛·約克,布思·科爾曼,理查德·貝斯哈特,Trish Stewart,沃爾特·布魯克,帕特里克·卡利頓,多爾特·克拉克,喬恩·錫達(dá),Gil Lamb,Ed Ness,Kathleen Bracken,理查德·韋伯,Victoria Paige Meyerink美國(guó)爆發(fā)xb疫情,科學(xué)家束手無(wú)策,歷史上曾有人治愈過(guò)該病,無(wú)奈資料被毀,科學(xué)家們只得使用時(shí)間機(jī)器回到過(guò)去尋找,不料卻遇到了1871芝加哥大火災(zāi)。。一部傷感的經(jīng)典科幻片，正大劇場(chǎng)好像播出過(guò)
北京遇上西雅圖之不二情書(shū)
湯唯,吳秀波,惠英紅,秦沛,吳彥姝,顏?zhàn)快`,王志文,陸毅,祖峰,王茜,劉志宏,張一白,艾麗婭,李燦森,陳創(chuàng),韓張焦嬌（湯唯 飾）15歲就來(lái)到了澳門(mén)，過(guò)著顛沛流離的生活，之后成為了賭場(chǎng)公關(guān)。羅大牛（吳秀波 飾）早年來(lái)到美國(guó)，一番摸爬滾打，如今已經(jīng)是小有名氣的加州房地產(chǎn)經(jīng)紀(jì)人，事業(yè)一帆風(fēng)順的他在情場(chǎng)上自然步步為贏，是公認(rèn)的鉆石王老五?！ ∫槐久麨椤恫榱钍纸?4號(hào)》的書(shū)讓這一對(duì)生活毫無(wú)交集的男女走到了一起，兩人通過(guò)電子郵件進(jìn)行交往，透過(guò)種種誤會(huì)和波折，最終發(fā)現(xiàn)彼此是自己的靈魂伴侶。在此期間，焦嬌徘徊在鄭義（陸毅 飾）、鄧先生（王志文 飾）和詩(shī)人（祖峰 飾）之間不知何去何從，而羅大牛則在同華裔老夫妻林平生（秦沛 飾）和唐秀懿（吳彥姝 飾）的交往當(dāng)中逐漸發(fā)現(xiàn)了人生的道義。
一個(gè)星期三的下午
Anupam Kher,Naseeruddin Shah一名男子打電話給孟買(mǎi)警方并告訴他們，他已經(jīng)把5個(gè)不同的炸彈安置在城市之內(nèi)，并已經(jīng)設(shè)定在同一時(shí)間爆炸-他希望以此交換4名恐怖分子。他是否能換回他們？背后的黑手是誰(shuí)？動(dòng)機(jī)又是什么呢？是否不是表面上看起來(lái)那么簡(jiǎn)單呢？
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
取款機(jī)殺人夜
愛(ài)麗絲·伊芙,喬?！づ蹇?布萊恩·格拉格提,阿隆·休斯,奧馬爾·可汗,威爾·沃伊托維希,格倫·湯普森一年一度的圣誕佳節(jié)終于到來(lái)，在狂歡派對(duì)上，投資公司職員大衛(wèi)（布瑞恩·杰拉夫迪 Brian Geraghty 飾）終于鼓起勇氣向剛剛辭職的美麗女職員艾蜜莉（艾麗絲·伊芙 Alice Eve 飾）搭話，聚會(huì)中途，二人驅(qū)車(chē)和他們的朋友科瑞（喬什·派克 Josh Peck 飾）一同返回。此時(shí)已近深夜，希望買(mǎi)點(diǎn)兒什么吃的的三個(gè)人進(jìn)入某自動(dòng)提款機(jī)服務(wù)站取錢(qián)，可是正待出門(mén)時(shí)卻發(fā)現(xiàn)一個(gè)神秘陰森的身影站在外面，后者更在眾目睽睽之下殺了一個(gè)陌生的流浪漢?！ 〈笮l(wèi)等人就這樣被困在方寸之間，看似隨機(jī)的襲擊事件，一切似乎又盡在神秘之人的掌控之中，他們最終能否逃脫？還是成為恐怖襲擊者的犧牲品？
聯(lián)合艦隊(duì)司令長(zhǎng)官：山本五十六
三船敏郎,加山雄三,司葉子,稻葉義男,土屋嘉男,平田昭彥1940年9月，德、意、日三國(guó)成立同盟。山本五十六被任命為日本聯(lián)合艦隊(duì)總司令，并不得不“違背自己的意愿”，接受命令對(duì)美、英、荷等國(guó)開(kāi)戰(zhàn)。1941后12月8日零時(shí)，山本五十六親自下達(dá)了“1280”密碼命令，并親自率領(lǐng)部隊(duì)偷襲美國(guó)珍珠港，從而對(duì)美軍太平洋艦隊(duì)造成重創(chuàng)，大勝而歸。隨后山本五十六建議與美國(guó)講和，但意見(jiàn)未被采納。在指揮中途島戰(zhàn)役時(shí)，由于戰(zhàn)略上的重大失誤，日本海軍遭受慘重?fù)p失。形勢(shì)陡然逆轉(zhuǎn)，美軍攻勢(shì)如虹，日軍兵敗如山倒。瓜達(dá)康納島上有三萬(wàn)多名日本陸軍，他們?cè)獾搅嗣儡婏w機(jī)的晝夜轟炸，陷于絕境。山本五十六派出艦隊(duì)炮擊美軍基地，協(xié)助尚存的陸軍安全撤退。1943年4月18日，山本五十六為了鼓動(dòng)前線部隊(duì)的士氣，乘坐一架轟炸機(jī)到前線視察。沒(méi)想到日軍的密碼被美軍竊取，美軍派出空軍機(jī)隊(duì)將山本五十六的座機(jī)擊落，一代軍人山本五十六就此碎尸于太平洋上空。