善良的姐妹們
艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan女主是一名拍片的女優(yōu)，時(shí)常在晚上發(fā)布一些不露臉的大尺度照片，有一天女主的姐姐帶來(lái)了男友到家里暫住，男友發(fā)現(xiàn)小姨子的舉止動(dòng)作和家中的程設(shè)擺列很像網(wǎng)上一個(gè)關(guān)注已久的女優(yōu)，而男主決定一探究竟的時(shí)候，竟然發(fā)現(xiàn)，這個(gè)小姨子真的就是自己在網(wǎng)上愛慕已久的女優(yōu)，他曾經(jīng)YY無(wú)數(shù)遍的想法，終于可以如愿以償….
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鬼眨眼
Rachel Armiger,Alexandria Benford,Ashleigh Coffelt,Alyssa Dalgleish,Parker Damm,Sterritt David,Eileen del Valle,Reed DeLisle,Consuelo M. Edwards,Jaime Horrigan,Kenny Johnson,Mike Jones,Seth Adam Kallick,Matt Lake,Erik Kristopher Myers,艾德亞多·桑奇茲,蓋文·約克A filmmaker discovers a box of video tapes depicting two students' disturbing film project featuring a local horror legend, The Peeping Tom. As he sets out to prove this story is real and release it as a work of his own, he loses himself and the film crew following him into his project.
布賴頓硬糖
薩姆·賴?yán)?安德麗婭·賴斯伯勒,海倫·米倫,約翰·赫特,菲爾·戴維斯,儂索·阿諾斯,克雷格·帕金森,安迪·瑟金斯,西恩·哈里斯,杰夫·貝爾,史蒂文·羅伯特森,莫里斯·洛維斯,斯蒂夫·艾弗茨,Francis Magee,Adrian Schiller英國(guó)海濱小鎮(zhèn)布賴頓，凱特斯和卡林奧里兩大黑幫組織盤踞于此，互相角力，此消彼長(zhǎng)。某夜，凱特斯被對(duì)頭當(dāng)街殺害，視老大如親父的平基（Sam Riley 飾）目睹了兇案的全過(guò)程，于是想?yún)⑴c者之一的福瑞德（Sean Harris 飾）展開追殺。福瑞德雖死，卻留下一堆的麻煩，他生前為了躲避跟蹤曾某餐館女侍應(yīng)生羅絲（Andrea Riseborough 飾），并與之留下合影。為了銷毀證據(jù)，平基開始接近這名單純的女孩，而羅絲也漸漸愛上了帥氣冷酷的平基。與此同時(shí)，凱特斯的死亡也讓布賴頓的黑幫勢(shì)力失衡，一方面卡林奧里迅速擴(kuò)張，一方面本幫內(nèi)部展開權(quán)力爭(zhēng)奪，平基深陷其中無(wú)法自拔…… 本片根據(jù)Graham Greene 的小說(shuō)改編。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
川流不“熄”
楊新鳴,胡昌霖,涂松巖,代樂樂,楊童舒,鞏崢,何賽飛,林永健,畢克辰故事發(fā)生在2008年北京奧運(yùn)會(huì)前夕，參加過(guò)朝鮮戰(zhàn)爭(zhēng)的退伍老兵張大川（楊新鳴 飾），與兒子一家生活在中國(guó)南方的一個(gè)小鎮(zhèn)上，雖然同住一個(gè)屋檐下但關(guān)系并不親密。一天，大川接到老戰(zhàn)友去世的電話，于是他決定獨(dú)自前往北京，參加戰(zhàn)友的葬禮。這個(gè)計(jì)劃，被正值青春叛逆期的孫子小松（胡昌霖 飾）發(fā)現(xiàn)，小松懇求和威脅爺爺帶他一起去。爭(zhēng)執(zhí)之后，從未單獨(dú)出過(guò)遠(yuǎn)門的祖孫倆上路了.......
正面還是反面？
娜迪亞·特列什科維奇,亞歷桑德羅·博爾吉,約翰·C·賴?yán)?皮特·藍(lán)薩尼,米爾科·阿圖索,加布里埃萊·西里,吉昂尼·嘉科,羅伯特·阿蘭·帕卡德,喬吉?dú)W·曼涅提,薩蒂·勒潑因特,費(fèi)德里科·阿克羅尼,伊曼努埃拉·奧納吉,布魯諾·迪·吉奧瓦尼,塞弗里諾·斯佩蘭迪歐,杜門尼克·奇奧茲,薇歐拉·索爾達(dá)尼,克勞狄歐·卡斯托利20世紀(jì)初，在一場(chǎng)致命的牛仔競(jìng)技后，羅莎與她的情人踏上逃亡之路，穿越意大利荒野，試圖擺脫追捕。他們的身后，是傳奇人物“水牛比爾”——他不僅是追蹤者，更是掌控故事的人。他拒絕改寫自己版本的真相，而羅莎的命運(yùn)也因此被卷入一段被掩蓋的往事。隨著旅程深入，逃亡逐漸演變?yōu)橐粓?chǎng)關(guān)于身份、記憶與敘事權(quán)的較量。在現(xiàn)實(shí)與傳說(shuō)交織的邊界上，羅莎必須決定是否繼續(xù)逃避，或重新掌握屬于自己的故事。
九龍大眾浪漫真人版
吉岡里帆,水上恒司,龍星涼,柳俊太郎,梅澤美波,花瀨琴音 ,フィガロ?ツェン,山中崇,サヘル?ローズ,關(guān)口曼迪,島田久作本片改編自同名漫畫，講述了在充滿懷舊氣息的街道·九龍的不動(dòng)產(chǎn)公司工作的鯨井令子和她心儀的職場(chǎng)前輩·工藤發(fā)之間交織而成的懸疑愛情羅曼史。故事由令子偶然發(fā)現(xiàn)一張照片，得知工藤過(guò)去有個(gè)和自己長(zhǎng)得一模一樣的未婚妻開始...