影片推薦
告別武器
海倫·海絲,加里·庫(kù)珀,阿道夫·門(mén)吉?dú)W,瑪麗·菲利普斯,杰克·拉魯,布朗什·弗雷德里克,瑪麗·福布斯,吉爾伯特·埃默里,愛(ài)麗斯· 亞岱爾,亨利·阿爾梅塔,赫爾曼·賓 ,Agostino Borgato,Robert Cauterio,瑪塞勒·科爾代,基諾·科拉多,George Humbert,威廉·歐文,多麗絲·勞埃德,弗雷德·馬拉泰斯塔,保羅·波爾卡西,Tom Ricketts,Frederick Sullivan瘟疫
喬爾·埃哲頓,埃利奧特·赫弗南,埃弗雷特·布倫克,凱奧·馬丁,肯尼·羅斯牧森,盧卡斯·阿德勒,科爾頓·李,Kolton Lee諸葛四郎-大戰(zhàn)魔鬼黨
王辰驊,蔣鐵城,王希華迷失禁區(qū)
陳明民,梁鴻,王新宇,金晨曦心碎往事
安東·葉利欽,羅賓·威廉姆斯,蒂婭·里歐妮,埃里卡·巴杜,大衛(wèi)·杜楚尼,弗蘭克·蘭格拉,澤爾妲·威廉斯,瑪吉麗·阿馬蒂,奧加·索斯諾夫斯卡,奧蘭多·瓊斯,Bernie Sheredy,斯蒂芬·斯皮內(nèi)拉,愛(ài)麗絲·德拉蒙德,哈羅德·卡蒂耶,馬克·馬戈利斯西伯利亞的理發(fā)師
朱莉婭·奧蒙德,歐列格·緬??品?阿列克謝·彼得連科,理查德·哈里斯,弗拉基米爾·伊林同類精選
請(qǐng)求救援
瑞秋·麥克亞當(dāng)斯,迪倫·奧布萊恩,布魯斯·坎貝爾,丹尼斯·海斯伯特,澤維爾·塞繆爾,吳育剛,艾瑪·雷米,Edyll Ismail,塔內(nèi)·瓦拉庫(kù)努婁,布拉德·弗萊特交響詩(shī)篇超進(jìn)化1
名冢佳織怪物2023
安藤櫻,永山瑛太,黑川想矢,柊木陽(yáng)太,高畑充希,角田晃広,中村獅童,田中裕子忌怪島
西畑大吾,山本美月,生駒里奈,當(dāng)真亞美,平岡祐太,水石亞飛夢(mèng),川添野愛(ài),禱云母,大谷凜香,笹野高史,伊藤步,灘儀武漆黑如夜
Lukas Haas,凱文·杜蘭極地大冒險(xiǎn)3
Matthew Whelan,Emma Jenkins,Dermot Magennis,保羅·泰來(lái)克,Roger Gregg,艾琳·米森,Lucy Smith,Harry Weld-Moore,Justin Daniels Anene,盧克·格瑞芬,Brendan McDonald,Mary Murray,Susan Slott,Michael Sheehan,Cameron Simpson,Evan O'Connor,Michelle Read,羅爾夫·伯格,Tobias Breckl影視排行
征服者2
蘭維爾·辛格,阿克夏耶·坎納,桑杰·達(dá)特,阿俊·拉姆鮑,馬達(dá)范,莎拉·阿爾瓊,Rakesh Bedi,Danish Pandor,Saumya Tandon,高拉夫·杰拉,Manav Gohil,Naveen Kaushik,阿卡什·庫(kù)拉納,K Anshuman Thakur,Vikash RaiHamza Ali Mazari, whose real identity is Jaskirat Singh Rangi, pursues his undercover operation within Pakistan's criminal world while tracking down Majo.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
觸電2025
林敏驄,陳穎欣,柯煒林,伍詠薇,蘇皓兒,羅莽,馮素波,盧慧敏,陳毅燊,陳苡臻,吳肇軒,羅浩銘人到中年的車(chē)仔擁有一間網(wǎng)吧,但在手機(jī)游戲的沖擊下,早已人氣不再;三十未到的電競(jìng)選手邦少正在面對(duì)實(shí)力下滑的職業(yè)困境;單親家庭長(zhǎng)大的霏霏大學(xué)畢業(yè)超過(guò)五年,還未有過(guò)一份穩(wěn)定工作。曾是動(dòng)作巨星的八爺因?yàn)槠拮影⑻m出現(xiàn)腦退化,年過(guò)70的二人嘗試?yán)秒娮佑螒騺?lái)鍛煉大腦。一張全港電競(jìng)賽的征集海報(bào),讓想要拯救網(wǎng)吧的車(chē)仔決定組隊(duì)。車(chē)仔、霏霏、八爺,三個(gè)新手再加上一個(gè)急于證明自己的邦少,Happy Hour電競(jìng)隊(duì)正式成立。親情、友情的羈絆化作電競(jìng)賽場(chǎng)的搏殺,一場(chǎng)不可能完成的戰(zhàn)斗,讓心懷夢(mèng)想的他們不再抱憾。
恐龍·怪鳥(niǎo)的傳說(shuō)
渡瀬恒彥,林彰太郎,沢野火子,津島智子,牧冬吉『ジョーズ』を発端にしたパニック映畫(huà)ブームにあやかり?yáng)|映が発表した作品。富士五湖の中でも地味な西湖、精進(jìn)湖を舞臺(tái)に、一大スペクタクルが展開(kāi)する。