尸城

8.9 播放:22萬(wàn) 更新:2026-05-13
主演: 錢人豪/

  故事發(fā)生在近未來(lái)的臺(tái)灣,一棟老舊的公寓中,頹廢墮落的紅男綠女恣意浪費(fèi)青春,荒度人eee。少頃,一名妙齡女子送來(lái)快遞,快遞中藏著從美國(guó)寄來(lái)的毒品。男男女女嗑藥享受,浪蕩逍遙,誰(shuí)知?jiǎng)偛胚€款款動(dòng)人的女子突然竟變成喪失人性、嗜血如命的恐怖喪尸。喪尸對(duì)驚慌失措的生者展開殘酷的殺戮和審判,快樂地瞬間變成了修羅場(chǎng)。與此同時(shí),一支緝毒小分隊(duì)闖進(jìn)公寓,對(duì)某單元的販毒分子展開圍捕,他們?cè)诟冻龀林氐拇鷥r(jià)后總算將毒販擊斃,正當(dāng)小隊(duì)準(zhǔn)備撤退時(shí),卻和另一頭的僵尸大軍遭遇。

播放通道

詳細(xì)簡(jiǎn)介

  故事發(fā)生在近未來(lái)的臺(tái)灣,一棟老舊的公寓中,頹廢墮落的紅男綠女恣意浪費(fèi)青春,荒度人eee。少頃,一名妙齡女子送來(lái)快遞,快遞中藏著從美國(guó)寄來(lái)的毒品。男男女女嗑藥享受,浪蕩逍遙,誰(shuí)知?jiǎng)偛胚€款款動(dòng)人的女子突然竟變成喪失人性、嗜血如命的恐怖喪尸。喪尸對(duì)驚慌失措的生者展開殘酷的殺戮和審判,快樂地瞬間變成了修羅場(chǎng)。與此同時(shí),一支緝毒小分隊(duì)闖進(jìn)公寓,對(duì)某單元的販毒分子展開圍捕,他們?cè)诟冻龀林氐拇鷥r(jià)后總算將毒販擊斃,正當(dāng)小隊(duì)準(zhǔn)備撤退時(shí),卻和另一頭的僵尸大軍遭遇。

同類推薦

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

戴夫造了個(gè)迷宮

尼克·圖恩,梅拉·羅希特·庫(kù)姆巴尼,亞當(dāng)·布斯奇,詹姆斯·烏爾班尼亞克,弗蘭克·凱提,斯科特·納維,斯蒂芬妮·阿琳,克斯汀·范奈絲,斯科特·克林斯基,蒂莫西·諾德溫德,約翰·赫寧甘,瑞克·歐弗頓,卡米拉·艾爾內(nèi)斯,德魯·尼加,艾蒂安·??颂?布里特妮·多伊奇,杰西卡·格拉夫斯

  藝術(shù)家戴夫,他的職業(yè)生涯,從來(lái)沒有完成任何重要的作品。這次他造了一個(gè)迷宮,包含了幻想陷阱、誘殺裝置,但不知何時(shí),迷宮有了自己的生命,自行創(chuàng)造出多種機(jī)關(guān)怪物,甚至牛頭怪。朋友們?yōu)榱藸I(yíng)救戴夫,進(jìn)入折紙迷宮,大戰(zhàn)機(jī)關(guān)和怪物,一場(chǎng)撕逼大戰(zhàn)迫在眉睫……

復(fù)仇:愛的故事

尼古拉斯·凱奇,安娜·哈徹森,特麗莎·貝特曼,黛博拉·卡拉·安格,唐·約翰遜,約書亞·米克爾,羅科·紐金特,喬·歐科特貝克,卡特·伯奇,夏琳·蒂爾頓,迪克蘭·圖萊尼,卡拉·弗勞爾斯,吉米·岡薩雷斯,科里·斯科特·艾倫,邁克·普涅夫斯基,凱蕾·里維拉,沙維爾·德克里,邁克爾·帕帕約翰

  緹娜(安娜·哈金森 Anna Hutchison 飾)帶著十二歲的女兒貝斯(特麗莎·貝特曼 Talitha Bateman 飾)于午夜走在回家的路上,遇見了一群小混混,小混混們強(qiáng)暴了緹娜,貝斯作為目擊證人將施暴者們的面容牢牢記在了心底。在法庭上,貝斯當(dāng)庭指認(rèn)了兇手,然而,被告方找來(lái)了一位毫無(wú)道德底線并且巧舌如簧的律師,他們聯(lián)手栽贓緹娜,顛倒是非黑白,而法官也只想息事寧人。  約翰(尼古拉斯·凱奇 Nicolas Cage 飾)是一名從業(yè)多年的老警官,雖然表面風(fēng)光,但實(shí)際上他正在遭遇人生的中年危機(jī)。緹娜的案件激發(fā)起了約翰內(nèi)心里熄滅已久的正義感,他決定挺身而出幫助這對(duì)可憐的母女。

穿普拉達(dá)的女王2

梅麗爾·斯特里普,安妮·海瑟薇,艾米莉·布朗特,斯坦利·圖齊,賈斯汀·塞洛克斯,西蒙娜·阿什利,肯尼思·布拉納,劉玉玲,翠茜·索姆斯,凱萊布·希倫,B·J·諾瓦克,蒂波·費(fèi)德曼,沈雨田,帕特里克·布拉莫爾,蕾切爾·布魯姆,Lady Gaga,寶琳·查拉梅

 影片直面數(shù)字時(shí)代時(shí)尚行業(yè)的迭代浪潮,當(dāng)曾經(jīng)指引潮流的時(shí)尚圣經(jīng)《Runway》雜志遭遇前所未有的生存危機(jī),“時(shí)尚女魔頭”米蘭達(dá)(梅麗爾·斯特里普 飾)與曾經(jīng)的“職場(chǎng)小白”安迪(安妮·海瑟薇 飾)再度聚首,時(shí)尚圈地位將經(jīng)歷大洗牌——昔日的助理艾米莉(艾米莉·布朗特 飾)權(quán)力進(jìn)階成長(zhǎng)為奢侈品集團(tuán)高管;安迪也成為獨(dú)當(dāng)一面的職場(chǎng)強(qiáng)者。從各自為戰(zhàn)到并肩破局,從過(guò)去“被支配”到“掌控話語(yǔ)權(quán)”,角色的身份轉(zhuǎn)變與立場(chǎng)碰撞,更映照出女性在職場(chǎng)成長(zhǎng)自我抉擇中的蛻變與力量,啟發(fā)人們重新去探尋關(guān)于夢(mèng)想、權(quán)力與自我的人生命題。

汽車旅館人生

Emile Hirsch,達(dá)科塔·范寧

  時(shí)光網(wǎng)訊  據(jù)國(guó)外媒體報(bào)道,埃米爾·赫斯基將主演一部名為《The Motel Life》的新片,而他也被本片最早確定下來(lái)的主創(chuàng)人選?! ∮捌木幾訵illy Vlautin的同名處女作小說(shuō),講述了一對(duì)內(nèi)達(dá)華州的兄弟在經(jīng)歷了一場(chǎng)致命變故后踏上逃亡之路,雖然途中偶然會(huì)出現(xiàn)幸運(yùn)和希望,但他們依舊漸漸被社會(huì)所遺棄。