燕交 (2023)

5.2 播放:19萬 更新:2026-05-12
主演: 田原 宋寧峰 許偉豪 

楊帆和她的丈夫袁泳,還有飯館服務員小方,從夜晚到白天,又從日光之下延續(xù)至一個個詭譎的深夜,他們彼此間發(fā)生的的故事,荒誕離奇,卻又令人無比唏噓,三人如共生關(guān)系般存在,如同齒輪間的相互羈絆卻又無法離開對方,就像最簡單的游戲:石頭,剪刀,布無間輪回下去。

即刻觀影

劇情賞析

楊帆和她的丈夫袁泳,還有飯館服務員小方,從夜晚到白天,又從日光之下延續(xù)至一個個詭譎的深夜,他們彼此間發(fā)生的的故事,荒誕離奇,卻又令人無比唏噓,三人如共生關(guān)系般存在,如同齒輪間的相互羈絆卻又無法離開對方,就像最簡單的游戲:石頭,剪刀,布無間輪回下去。

編輯推薦

耿耿于懷

柯斯莫·賈維斯,里斯·曼尼恩,克拉斯·邦,安東尼婭·坎貝爾-休斯,艾薩克·赫斯利普,寶琳·赫頓,基思·麥克利恩,馬克·奧哈洛倫,沙?!だ?萊勒·羅迪,彼得·特蘭,保羅·泰來克

 Hamish arrives on the soil of his mother’s birth; she is felt instantly. A shocking car accident rips him apart, shattering his clenched control. A beast broken, he finds himself lost in the world of his long deceased mother. Young teen Evan, also involved in the accident befriends Hamish.The tremors of want and love beneath the stifling soil push to the surface, as he is led by the vitality of the unbridled boy Evan. He experiences the electric eroticism of living, and danger. His rage accelerates to violence, and ultimately his vibrant release.

德國懸案事件簿:失蹤警探

羅蘭·維斯內(nèi)克,梅克·德羅斯特,馬克·本杰明·普赫

一天清晨,刑警驚覺自己的搭檔失去了音訊。事實上,搭檔在夜晚返家的途中,意外目睹一起犯罪行為。不料現(xiàn)場突然發(fā)生提款機爆炸,她身受重傷,隨即被犯人綁走。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

蒙上你的眼:逃出巴塞羅那

喬治娜·坎貝爾,馬里奧·卡薩斯,迭戈·卡爾瓦,米歇爾·珍娜,萊昂納多·斯巴拉格利亞,洛拉·杜埃尼亞斯,帕特里克·克里亞多,Alejandra Howard,西莉亞·費杰羅,Naila Schuberth,岡扎洛·德·卡斯特,Manel Llunell,米洛·塔波阿達,Brian Lehane,Gerard Oms

  《蒙上你的眼:逃出巴塞羅那》由《蒙上你的眼》的制作人傾情打造,是 2018 年備受觀眾青睞的熱門電影的衍生作品。在一股神秘力量使世界人口大量減少之后,塞巴斯蒂安必須在巴塞羅那荒涼的街道上展開自己的求生之旅。當他與其他幸存者結(jié)成不穩(wěn)定的聯(lián)盟,并試圖逃離這座城市時,一個意想不到、甚至更加險惡的威脅正在增長。

黑蜥蜴1962

京町子,大木實,川口浩,葉順子,三島雅夫,目黒幸子,中條靜夫,久里千春

  亂步作品

趣塔德莊園

戴米恩·路易斯,凱瑟琳·沃特斯頓,托馬辛·麥肯齊,本·拉德克利夫,湯姆·費爾頓,艾瑪·萊爾德,李·布羅德曼,湯姆·古德曼-希爾,吉米·卡爾,莉莉·奈特,亞當·伍德沃德,查理·羅爾斯,盧卡斯·凱利,內(nèi)森·霍爾,亞歷山大·巴特勒,莉茲·霍普利,艾琳·奧斯汀,瑪格達萊娜·斯維蘭德,杰瑪·瓦德爾,勞瑞·奧格登

  Fackham Hall 對傳統(tǒng)的時期劇如《唐頓莊園》和《高斯福德莊園》進行戲謔。這部作品被形容為“延續(xù)了《裸槍》系列和《空前絕后滿天飛》等經(jīng)典笑料不斷的惡搞喜劇的傳統(tǒng)”。  費恩斯·提芬將飾演一名新來的搬運工,他與英國一個顯赫家族的小女兒(麥肯齊)展開了一段出人意料的關(guān)系。同時,達文波特家族內(nèi)部矛盾不斷爆發(fā),由達文波特勛爵和勛爵夫人(沃特斯頓)領(lǐng)導的家族還要面對長女(萊爾德)和她不靠譜的堂弟婚禮慘敗的巨大尷尬。