泡在我家的辣妹同意讓我使用她的小穴

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茱莉亞·古丹妮·泰勒斯,阿什利·祖克曼,凱特琳·杰拉德,迪倫·麥蒂

　　西部荒野，住著麥克林夫婦——伊薩克（阿什利·祖克曼 Ashley Zukerman 飾）和莉茲（凱特琳·杰拉德 Caitlin Gerard 飾）。這里條件艱苦，環(huán)境惡劣，人煙稀少，野獸橫行。莫大的孤寂令莉茲時(shí)常警惕地環(huán)視四周，防備一切可能的危險(xiǎn)。某天，哈普爾夫婦——吉迪恩（迪倫·麥蒂 Dylan McTee 飾）和艾瑪（茱莉亞·古丹妮·泰勒斯 Julia Goldani Telles 飾）搬到了麥克林家附近，成為他們的鄰居。兩家人很快就成了好朋友，特別是莉茲有了艾瑪這個(gè)好姐妹，似乎心理也正常了許多?！　『镁安婚L(zhǎng)，某晚艾瑪?shù)那闆r變得很糟糕，她擔(dān)心神秘的存在將危及她的孩子?；囊按箫L(fēng)卷起，烏云密布……

禁果2026

莉莉·萊因哈特,羅拉·董,加布里埃爾·尤尼恩,維多利亞·佩德雷蒂,亞歷山德拉·希普,大衛(wèi)·皮納德,奧斯汀·鮑爾,艾瑪·張伯倫,查理·亨利·拉爾森,西德哈特·沙瑪,海莉·莎莫,Caroline Vartanian,喬丹·杜阿爾特,Jeff Sinasac,Katherine Cruz

在達(dá)拉斯的輕奢商場(chǎng)，自由伊甸門(mén)店的銷(xiāo)售顧問(wèn)蘋(píng)果、櫻桃與無(wú)花果，表面是光鮮亮麗的時(shí)尚女性，私下卻在商場(chǎng)地下室運(yùn)營(yíng)著秘密邪教，以詭異儀式維系著扭曲的“姐妹情誼”。新員工南瓜的到來(lái)打破了三人的平衡，她的質(zhì)疑與審視，迫使成員們直面內(nèi)心的陰暗面，邪教儀式逐漸失控，血腥與暴力開(kāi)始蔓延，每個(gè)人都必須在自我毀滅與殘酷結(jié)局之間做出選擇。

大明嬪妃之爭(zhēng)寵

宋洋,何杜娟,關(guān)慧卿,陳一諾,王藝曈,王春妹,思漩,朱一龍

　　大婚之夜，太子獨(dú)自喝醉，留下姚芊芊盛裝獨(dú)坐到天亮。太子本宣蘭心侍寢，卻傳來(lái)畫(huà)室失火的消息，太子走后，蘭心因?yàn)閾?dān)心張清遠(yuǎn)也尾隨而去，卻被張清遠(yuǎn)告知火是他放的，兩人終于決定私奔。梅兒故意告知蘭心私奔的錯(cuò)誤時(shí)間，致使蘭心在雪中凍了一夜，被太子發(fā)現(xiàn)救回。　　姚芊芊跟鄭貴妃抱怨遭冷落，正逢三皇子前來(lái)，兩人暗通款曲并有了身孕。為了掩飾，她不得不通過(guò)鄭貴妃向王恭妃施壓，使得太子終于與她圓房，并擇定時(shí)間宣布自己有孕。　　金碧瑤因被姚芊芊掌摑而與蘭心、梅兒交好，并告知從姚芊芊處偷取了可助懷孕的藥，梅兒因?yàn)橄霠?zhēng)寵而不顧蘭心勸告將藥粉放入酒中并讓太子喝下，太子卻突然倒下，蘭心趕到并宣太醫(yī)醫(yī)治，原來(lái)，藥粉是一種媚藥，若與酒一起服用便可致人于死地。王恭妃勃然大怒，下令搜府，卻從蘭心處搜出藥粉。原來(lái)，一切都是姚芊芊與金碧瑤的詭計(jì)。而金碧瑤也因?yàn)樘又卸菊J(rèn)清了姚芊芊的真面目?！　∴嵸F妃拷打蘭心，逼她簽寫(xiě)敗壞太子聲譽(yù)的供詞，蘭心誓死不從。關(guān)鍵時(shí)刻，太子及時(shí)趕到并帶走蘭心，卻在路上暈倒，蘭心感動(dòng)不已。　　姚芊芊收買(mǎi)了丫鬟向張清遠(yuǎn)報(bào)信，讓他以為蘭心被太子害死，并用調(diào)虎離山計(jì)調(diào)離了蘭心。蘭心在路上感覺(jué)不對(duì)，匆匆往回趕，正好看見(jiàn)張清遠(yuǎn)持刀向太子刺去。蘭心以身相代，并控制不住問(wèn)張清遠(yuǎn)為何不守信約，張清遠(yuǎn)卻因?yàn)榇讨刑m心而心神恍惚。太子終于知道了蘭心眼中的憂郁從何而來(lái)，又為何獨(dú)自在雪中待了一夜?！　√m心幸好沒(méi)有被刺中要害，活了下來(lái)。太子正想審訊張清遠(yuǎn)，卻已發(fā)現(xiàn)張清遠(yuǎn)吊死在橫梁上，并留下了給蘭心的生死訣別書(shū)。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

首都消失

渡瀨恒彥,名取裕子,山下真司,江角英明,大瀧秀治,石橋蓮司,石野陽(yáng)子,加藤治子,岸部一德,三木紀(jì)平,夏八木勛,龍雷太,相馬剛?cè)?丹波哲郎,津村鷹志,渡邊文雄,財(cái)津一郎,海老名美どり

　　這部災(zāi)難影片背景以現(xiàn)代日本為中心，主要描寫(xiě)東京突然被一股莫名的濃霧所籠罩，整個(gè)都會(huì)好像一下子消失了似的，各地政府及科研人員因此極為震驚，急忙組織起來(lái)研究對(duì)策。但是人們卻無(wú)法穿越濃霧進(jìn)入東京首都圈。這場(chǎng)濃霧形成了一個(gè)無(wú)法穿越的電磁屏障。而圈外的科學(xué)家們則在受損嚴(yán)重的軍用偵察機(jī)上得到靈感，利用即將到來(lái)的臺(tái)風(fēng)和雷暴雨，加上人工大功率電磁干擾機(jī)，終于化解了這場(chǎng)戲劇般的非自然危機(jī)?！　∵@原本該是一個(gè)不錯(cuò)的富有戲劇張力的構(gòu)思，但拍出來(lái)的片子卻教人不敢叫好，劇中女記者的角色刻劃不具感染力，而她和男記者之間時(shí)好時(shí)壞的關(guān)系描寫(xiě)也讓人感覺(jué)莫名其妙，確是讓觀眾感覺(jué)象一場(chǎng)霧。