女性無賴傳說偵查和酷刑

評分:5.7 播放:09萬 更新:2026-05-07

《女黑幫的故事/女性無賴傳說之偵查和酷刑》的詳細(xì)劇情提供《女黑幫的故事/女性無賴傳說之偵查和酷刑》迅雷下載,《女黑幫的故事/女性無賴傳說之偵查和酷刑》BT種子下載,《女黑幫的故事/女性無賴傳說之偵查和酷刑》下載,本片由1973年日本地區(qū)星野導(dǎo)演親自編導(dǎo)拍攝,由池玲子 石井輝男 鈴木則文 蘆川誠 春日朱美 愛川惠美 早乙女參與本片主演。剛剛乘汽輪抵達(dá)神戶港的小蝶(池玲子飾),被女扒手好美(愛川まこと飾)當(dāng)作毒品運輸人帶到藏毒窩點,遭到黑社會分子的嚴(yán)刑拷問。千鈞一發(fā)之際,從監(jiān)獄出來的混混讓二(內(nèi)田良平飾)解救了小蝶。小蝶旋即抓住好美,得知自己誤被拷問的原因。原來碼頭黑幫的殘黨淺吉(安部撤飾)等眾,利用女扒手從橫濱偷運毒品,陰差陽錯遭遇小蝶。他們使用唐人街中國女性,走私毒品到日本,歐丘里歐被意外抓獲販毒卡特爾,毒品隱藏在她們的陰道,她們?nèi)丶俺槿《酒范家闵碓敿?xì)檢查女孩私處......讓二入獄中其老大被人殺害,老大獨生女清子(星野みどり)下落不明。他和小蝶聯(lián)手追查,發(fā)現(xiàn)一切都指向了毒品販運團(tuán)伙,他們要殺除知道這個運毒的女人,一場小蝶和讓二,聯(lián)手十多名裸女,與惡男集團(tuán)激戰(zhàn)在所難免

影片推薦

同類精選

影視排行

害蟲

宮崎葵,蒼井優(yōu),田邊誠一,涼,伊勢谷友介

  少女幸子(宮崎葵飾)和老師的師生戀緋聞被傳得風(fēng)風(fēng)雨雨,相依為命的母親稔子(Ryo飾)則自殺未遂。打擊不斷的生活令幸子無法承受,升入中學(xué)后,她不去上學(xué),每天閑逛打發(fā)時間。她和依靠小偷小摸賺錢的少年隆夫、精神脆弱的中年人久蔵成為了朋友。隆夫離開后,幸子和好友夏子(蒼井優(yōu)飾)返回了學(xué)校?! 〔痪煤?,她又差點被母親的新歡德川強暴。謠言又起,幸子失望地離開學(xué)校。昔日的老師戀人現(xiàn)在發(fā)電所工作,幸子準(zhǔn)備去他那里。然而在約定的小茶店里等了很久,他還是沒有出現(xiàn)?;倚牡男易痈粋€前來搭訕的男子離開茶店……

心之高歌

Carola Insolera,Emilio Insolera,Antonio Iorillo,Simonetta Pellizzer,Sarah Toscano,塞雷娜·羅西

作為聾人家庭唯一能聽見聲音的成員,含羞的少女發(fā)現(xiàn)自己擁有唱歌天賦,她不得不在履行責(zé)任和尋找自己的道路之間做出抉擇。

殘酷的夏日

翟乃社,曲國強,鄔倩倩,張嘉益

  諸家老太有兩個兒子夢龍和夢飛,以及一個養(yǎng)孫國榮。16年前,一伙以張振邦為首的歹徒為了報復(fù)諸老太在公安局工作的丈夫,欲把夢龍和夢飛活埋,國榮的父親得知后,救出了兄弟倆,自己卻被燒死,諸老太為了報恩,收養(yǎng)了國榮,并且對他十分疼愛。不想,16年后的今天,國榮卻陷入了張的販毒集團(tuán)。夢龍出于對國榮的愛護(hù),在知道國榮販毒后,私下包庇他。在公安局工作的夢飛在緝拿國榮的過程中,國榮因拒捕被擊斃,夢龍被夢飛帶上了手銬。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.