滿(mǎn)清十大酷刑之赤裸凌遲

★ 7.3 播放：81萬(wàn) 更新：2026-05-07

在馬新貽(鄭浩南)的祭臺(tái)下，赤裸的兇手黃蓮(甄楚倩)慘被凌遲。事緣馬與蓮兄及未婚夫不打不相識(shí)，馬、蓮更互相傾慕。原來(lái)馬為兩江提督，表面正人君子，卻趁機(jī)向蓮嫂加以y-辱，蓮目睹一切 　　

在線播放

劇情簡(jiǎn)介

在馬新貽(鄭浩南)的祭臺(tái)下，赤裸的兇手黃蓮(甄楚倩)慘被凌遲。事緣馬與蓮兄及未婚夫不打不相識(shí)，馬、蓮更互相傾慕。原來(lái)馬為兩江提督，表面正人君子，卻趁機(jī)向蓮嫂加以y-辱，蓮目睹一切 　　

導(dǎo)演精選

大內(nèi)醫(yī)探

　　一名娘娘腔小太監(jiān)，華麗麗變身男子漢的嬉笑之旅！ 大內(nèi)丹藥總管賈公公的助手、后宮人氣王——太監(jiān)小權(quán)，遇上了心上人，開(kāi)始研究如何還原男兒之身，重拾男子氣概！不料研究之路布滿(mǎn)荊棘，小權(quán)在研究丹藥的過(guò)程中，不小心撞破一場(chǎng)驚天大陰謀！后宮黑幕重重，為了能挽救無(wú)辜、和喜歡的人在一起，小權(quán)決定奮起反擊，揭露黑暗！且看太監(jiān)小權(quán)大顯身手，在后宮掀起波瀾！

奪命之愛(ài)

　　半年前，17歲的布蘭特（Xavier Samuel 飾）與父親駕車(chē)遭遇車(chē)禍，父親身亡，布蘭特和母親始終沒(méi)有從傷痛中走出。同校的勞拉（Robin McLeavy 飾）邀請(qǐng)布蘭特同去舞會(huì)，布蘭特木訥的予以拒絕，轉(zhuǎn)頭陪伴自己的女友赫莉。當(dāng)天布蘭特獨(dú)身在野外攀巖，當(dāng)他來(lái)到山頂時(shí)，久候多時(shí)的勞拉之父將他麻醉帶走?！　〔继m特醒來(lái)時(shí)，發(fā)現(xiàn)自己被困在勞拉家中，這個(gè)看上去文靜的微胖女孩居然利用自己的父親將多位男孩綁架，父女二人殘酷的虐待他們，最后用電鉆把他們的頭骨鉆開(kāi)變成嘶啞的癡呆。勞拉的母親也不能免于折磨，她形容枯槁奄奄一息，被父女二人視為無(wú)物。面對(duì)這對(duì)關(guān)系曖昧的怪異父女，布蘭特必須用盡一切辦法自救……

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.