影片推薦
禮拜天2025
布蘭卡·索羅亞,帕特里夏·洛佩斯·阿奈斯,米格爾·加爾塞斯,胡安·米努欣,瑪貝爾·里維拉,Nagore Aranburu,Irina Robledo Espinosa,Nora Careaga Iglesias,Neizan Alonso Hernández,Leire Zuazua,María Rodríguez Maribona Delgado,Guille Zani,Itziar Aizpuru,Bego Arístegui,Florinda Okomo,Noe Chiroque,Ainhoa Já格吉(殺人鬼)
卡文·英瑪諾泰,Supawadee Kitisopakul,??????? ????????????忍者龍劍傳
難波圭一,冬馬由美,若本規(guī)夫,鄉(xiāng)里大輔,榊原良子,石冢運(yùn)升,鈴木沙織,浦和惠,里內(nèi)信夫,增田有宏,川津泰彥,沼田祐介,內(nèi)海秀雄,小川真司派對浪客孔明 THE MOVIE
向井理,上白石萌歌,藤岡靛,森山未來,神尾楓珠,詩羽,菅原小春,八木莉可子,宮世琉彌,森崎溫,石野理子,石崎Huwie,和田理生,本間朋晃,真壁刀義,長岡亮介,薔薇園啊嗚,菊地凜子,和田聰宏LAST MAN-全盲搜查官- FAKE/TRUTH
福山雅治,大泉洋,永瀨廉,今田美櫻,松尾諭,今井朋彥,奧智哉,木村多江,吉田羊,松本若菜,吉田鋼太郎,向井康二凌晨是神的時(shí)間
日南響子,飛鳥凜,藤本七海同類精選
次世代機(jī)動警察:首都決戰(zhàn)
真野惠里菜,福士誠治,筧利夫,太田莉菜,千葉繁跨國銀行
克里夫·歐文,娜奧米·沃茨,阿明·繆勒-斯塔爾,烏爾里奇·湯姆森,布萊恩·F·奧博恩光環(huán):夜幕
麥克·柯爾特,克里斯蒂娜·鐘漁民的故事
豪爾赫·A·希門尼斯,Alejandra Herrera,蕾內(nèi)塔·瓦卡,安德雷斯·德爾加多,Perla Alejo,José Antonio Becerril,Myriam Bravo,Agustin Cornejo,安娜·迪亞斯,Maritza Estrada,Waldo Facco,Bibiana Godínez,梅賽德斯·埃爾南德斯,諾伊·埃爾南德斯,霍澤·梅蘭德斯,Daniela Momo,Don Fulgencio Morales,Ruby Vizcarra天出血
常戎,蓋麗麗,于紹康,楊兆泉,洪濤嚴(yán)懲
瑞恩·菲利普,泰格·諾塔洛,喬伊芙·德雷克,Hakim Callender,詹姆斯·杜蒙特,Stephen Louis Grush,拉斯·拉索,Ian Barford,Ramona Tyler,Skipper Landry,Heidi Brook Myers,Michael Boyne,Forrest Forte,Katie Sills,Zac Cino影視排行
春之祭
Anessa Ramsey,Shanna Forrestall,AJ Bowen夜深人靜之時(shí),年輕女子瑞切爾(Anessa Ramsey 飾)和艾莉莎(Hannah Bryan 飾)突然遭到神秘之人的襲擊和綁架。當(dāng)她們清醒過來后,發(fā)現(xiàn)自己正被綁在一座谷倉中,戴著面具的恐怖男子為她們舉行邪氣逼人的儀式。另一方面,受債務(wù)困擾的男人本(AJ Bowen 飾)聯(lián)合女友艾米(卡瑟琳·蘭道夫 Katherine Randolph 飾)、弟弟湯米(安德魯·布瑞蘭 Andrew Breland 飾)以及陌生男人保羅(Sonny Marinelli 飾)策劃綁架了富有商人瑞恩·海登(詹姆斯·巴茲 James Bartz 飾)的女兒,并索取高達(dá)兩百萬美元的贖金?! ≌?dāng)本和保羅眾人為了贖金起整治的時(shí)候,死里逃生的瑞切爾突然出現(xiàn),隨之而來的還有殘忍的春之祭殺人魔……
沉默的艦隊(duì)2
大澤隆夫在酷寒的北方海域,核潛艇大和號伴隨著莫扎特的旋律,開始了駛向紐約聯(lián)合國總部的深海航程。在美俄交界的白令海峽,一艘性能全面碾壓大和號的美國核潛艇正悄然逼近。此刻,寒冷的北冰洋上,碎裂的浮冰之間,一場激戰(zhàn)就此拉開帷幕。
攻克柏林
米凱爾·蓋洛瓦尼,Boris Andreyev,Vladimir Savelev,Marina Kovalyova,N. Petrunkin,Marie Nováková,Yuri Timoshenko,A. Urasalyev,Nikolai Bogolyubov,揚(yáng)·韋里希,Sofiya Giatsintova,K. Roden,鮑里斯·捷寧,維克托·斯坦尼岑,Oleg Frelikh,鮑里斯·里瓦諾夫,謝爾蓋·比林尼科夫,Vladimir Lyubimov,Konstantin BartasheviMikheil Chiaureli是斯大林的御用導(dǎo)演,《攻克柏林》長達(dá)近五個(gè)小時(shí),分上下兩部,處處著重突出最高統(tǒng)帥的高瞻遠(yuǎn)矚。影片結(jié)尾,斯大林乘飛機(jī)抵達(dá)陷落的柏林,接受蘇軍的歡呼。其實(shí)這是“藝術(shù)虛構(gòu)”。和《斯大林格勒戰(zhàn)役》一樣,這場實(shí)際主要由朱可夫?qū)④娭笓]的戰(zhàn)役,影片中絲毫沒有他的影子。當(dāng)時(shí)朱可夫已經(jīng)因?yàn)楣Ω哒鹬?,被羅織罪名,發(fā)配到烏拉爾軍區(qū)去了,這是1946年的事。這部1949年的電影很自然地就將朱可夫的功勞“藝術(shù)虛構(gòu)”到偉大領(lǐng)袖的頭上了?! ∫?yàn)檫@部影片,導(dǎo)演連續(xù)獲得了兩次國家獎金,包括1950年的斯大林獎金。中國觀眾熟悉的《難忘的1919》(1952)也是出自這位導(dǎo)演的手筆。值得一提的是,這兩部影片都是由蘇聯(lián)作曲家肖斯塔科維奇譜曲的。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.